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Haha, I see.I should have been more clear. If the base DR is 10.7 stops (right?), how does shooting 100/400 get us to 13.5 stops? Seems like a 2 stop gain.
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Haha, I see.I should have been more clear. If the base DR is 10.7 stops (right?), how does shooting 100/400 get us to 13.5 stops? Seems like a 2 stop gain.
Regular raw ISO looks like video, the last dual ISO shot looks like film!
The video RAWs are the same as stills. The 5D3 has a great ability to lift the shadows, but he said the ISO100 shot was very underexposed, which is why he got that much noise upon recovering the shadows. Remember that we don't know the exposure settings pre recovery. If you underexpose too much to protect the highlights in a high contrast scene not even the 5D3 can recover the shadows cleanly. The 5D3 does have a native dynamic range limit after all. The ISO 100 was intentionally underexposed to protect highlights so that the ISO 1600 could give the clean shadows while retaining the highlights. Your option would have had more highlight clipping to retain the clean shadows of this particular scene.
I see and agree but I have still shots where I recovered some heavy shadows that do not have the noise. He must have under exposed the highlights as well? I have not played around with RAW video to know its limitations yet. From watching the video above it is clear this appraoch has its own issues. The magenta cast is quite noticeable. Also surprised how much noise the dual shot had as I thought ISO 1600 on the 5D was supposed to be pretty clean. I guess the RAW video stream does not have the benefit of processing to deal with the noise.
If you jump back and forth between the first ISO 100 shot and the dual exposure they are not that different - and the ISO 100 has proper color.
Are we watching the same clip? The dual iso clips had so much noise and red in the shadows that it look awful.... imo ofcourse. But yeah.. you gain the blue sky.
One thing is becoming sure, dual iso is not a substitute for lighting or bouncing light.
Out of curiosity - Is magic lantern working on hacking the c100 and c300 series with these capabilities?
I said it looks like film NOT like a film.
I said it looks like film NOT like a film.
` That's not always the case. In some sensors, it works as you say; on others, it does not: when you increase ISO on a Canon DSLR, the analog signal is amplified before it reaches the ADC, so it's not the same as pushing the image in post. This analog gain gives better results than the digital gain you talk about. In any case, the proof is in the pudding!!