randomname
Well-known member
Unfortuantely last week my car was broken into and the vast majority of my equipment has been stolen, so I'm coming here for advice on the best way to rebuild my lens collection. I'm trying to find work as a DP, but I support myself by shooting wedding videos, if that helps at all. Right now, I just have my 60D, the tamron 17-50 2.8 VC zoom, a canon 28-135 3.5 zoom lens, and ~$350 to spend.
Here's what I'm thinking will be my best course of action:
Selling the 17-50 (only caveat here is that it has the ERR 001 which has no effect on video but makes it useless for photos, not sure how much it hurts the value), buying a set of Nikon Primes, and using the 28-135 as my main lens when shooting weddings and slapping on one of the nikons if I need the extra speed. I was actually thinking about using the 28-135 as my main wedding lens anyway as it seems like the extra focal length would help me out quite a bit.
The other options I was thinking of are:
sell the 28-135 and buying (fewer/slower) nikon primes, starting with 85 so I can get the extra length if I need it.
Selling both of the zooms and buying the Canon 28-70 or 24-105 (not sure which yet).
Any advice you could have on what would best serve me as both a filmmaker and videographer would be greatly appreciated.
Here's what I'm thinking will be my best course of action:
Selling the 17-50 (only caveat here is that it has the ERR 001 which has no effect on video but makes it useless for photos, not sure how much it hurts the value), buying a set of Nikon Primes, and using the 28-135 as my main lens when shooting weddings and slapping on one of the nikons if I need the extra speed. I was actually thinking about using the 28-135 as my main wedding lens anyway as it seems like the extra focal length would help me out quite a bit.
The other options I was thinking of are:
sell the 28-135 and buying (fewer/slower) nikon primes, starting with 85 so I can get the extra length if I need it.
Selling both of the zooms and buying the Canon 28-70 or 24-105 (not sure which yet).
Any advice you could have on what would best serve me as both a filmmaker and videographer would be greatly appreciated.