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Honestly, I think it is cool that the GH2 is shooting bigger stuff now. However, what is up with all the shaking. It was very distracting. Was this not shot on a tripod? If not then why not? I would think that for a paid gig like this it would be spare no expense.
Hey guys, I'm the dude who shot this and did the post.
We shot locked off and created a wobbling camera feel in post.
It was meant to feel a bit stylized and off kilter, same with the snow, like Justin was inside a snowglobe or something slightly not real.
If we didn't have to do the post at 35,000 feet, (on flight from LA to Toronto) and hand it in shortly thereafter, I would have been able to refine it a bit more.
But that's the reality of TV deadlines sometimes.
Hey guys, I'm the dude who shot this and did the post.
We shot locked off and created a wobbling camera feel in post.
It was meant to feel a bit stylized and off kilter, same with the snow, like Justin was inside a snowglobe or something slightly not real.
If we didn't have to do the post at 35,000 feet, (on flight from LA to Toronto) and hand it in shortly thereafter, I would have been able to refine it a bit more.
But that's the reality of TV deadlines sometimes.
Thanks for the kind comments, guys.
The lighting wasn't too complicated. A couple of kinos, 650w and 300w fresnels for rim, hair and eye/fill. Everything diffused, flagged. An overhead bounce board with a 650w fresnel aimed at it as the key. Light angle/placement is always crucial obviously. A few degrees here or there can change the whole feel.