NC17z
Well-known member
*Arthur said Cob and Mal were the only one to go there.
Help me out with the quote above,... your talking about limbo, the palce where Saito and Ariadne end up?
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*Arthur said Cob and Mal were the only one to go there.
Ha ha...yes....I agree. What kind of shiznit was that?? She planned that whole thing through to a tee which left him almost no choice...The wife had to be evil to come up with such a brilliant plan to blame her death on Cob...
just one of my takes.
And there it is...this is the reason why he couldn't see his kids faces. It was his guilt....the very same guilt that created Mal. You noticed once she was gone that's when he could see their faces (if at all that was a dream/limbo he ended up in).His dead wife is his greatest creation a creation kept alive in his dreams by his guilt, love, etc, etc.
I have to disagree with you on this statement. "The film specifically states"... Where in the movie does it specificaly state? Dialoge, subtext, where?
I don't want this to come accross the wrong way however,
I don't know where in the movie anything was led to believe or stated that it was too dangerous for Cobb to create dreams? ( Some one please give me a specific senario, statement, subtext, dialoge).
I've seen it three times and going four and five this week with friends.
Cobb can create, or did you miss the fact that the first time Ariadne experiences a dream it's one that Cobb built?????
He specifically says, several times, that it's too dangerous, not that he can't.
Yep. I mean how can you miss when she is in his dream when he is already hooked up and she connects to it without his permission. When she heads on the elevator to try and see what he is hiding. It's pretty straightforward.
.
It looks like this movie was 90% shot on medium to tele lens .Most shots look like 35-50mm.
There wides but very view.
This is such a great movie, camera work , acting, editing, directing,art direction were all in place..... Heck maybe even catering
!
The reason you shouldn't let anyone touch your totem is so they can't properly recreate it in a dream they design, right?
Like Saito's rug. In life it's wool, but in the dream it was polyester or something.
So the totem is only usefull to see if someone has put you under with the intent of extracting information. If they haven't touched it, they don't know for sure how it feels so they can't recreate it properly.
If it's your own dream, it doesn't matter.
Right?
Please remember that this is 65mm and 35mm Anamorphic. I haven't looked for the info yet but I'm willing to wager most of this is shot on 18s or so. I need to check.
I love this film!
.....Europe and south america etc, but that's just there to titalise you.
Wonderful filmmaking on every level.
Also, for those who aren't regular eads of American Cinematographer, here's the Inception article again: http://www.theasc.com/ac_magazine/July2010/Inception/page1.php#