ALL: Ikan VH8 LCD Field Monitor - Very Good Value.

mrveronn

Active member
I recently started using the Ikan VH8 8" LCD field monitor and am happy to report it offers a very good image and features at a great price. First, let me preface my comments with the observation that my 'target' is the semi-professional (or advanced enthusiast) level of video making, and so I'm always heavily balancing cost against reliabiltiy and performance to try and hit a sweet-spot. If you need SDI and lots of advanced features and your budget is $1,500-$2,500 then your options are pretty wide open, but I was aiming at $500 or less, and a more restricted range of monitor features. Anyway, I've been looking around for about a year and could not find the balance that made me want to push the "order now" button. But that changed about a month ago when I came across the VH8 from Ikan.

During a few indoor projects I've sometimes been able to put a LCD monitor into use to help with monitoring production and its been a joy to use. And everytime that happened it made me wish that I had that option for field work also...so periodically I would get keen and go 'shopping' to see what has been happening in "Field Monitor" land. Well, during the last walkabout, I happened across the VH8 from Ikan and it 'caught my eye'.

The first hurdle for me has always been resolution. I've been pretty used to seeing high-end 1280x800, mid-range 1024x768 and entry-level 800x480 specificatons. So, the VH8's 1600x768 definitely caught my eye. And I was very happy to see the supported video formats through the HDMI port up to 1920x1080p --- including frame rates of 23.97 up to 60. A very good match for my AC90 (and 130/160 I believe).
IkanVH8_wide1.jpg

The second hurdle was price. With the Ikan VH8 priced at $399 retail, and cheaper through various vendors it easily met my under $500 goal.

Third hurdle covered features. The VH8 has a modest feature list: Aspect ratio of 4:3 & 16:9, AV and HDMI signal input (and HDMI output also so you can passthrough the signal to an additional display), headphone jack, brightness/contrac/colour temp settings, monochrome peaking (for focus assist), false colour and clip guide (shot exposure assist), shot guide and crosshair (composition aids), and finally Pixel to Pixel mode. I was not familiar with this final feature, where an incoming image is not scaled to the monitor resolution, rather you can view a 'one to one' pixel rendition of your 1920x1080 signal (with the VH8 giving you a 1600x768 'window' of your full incoming image), and the window can be moved around to the area that you are most interested in watching/monitoring. The VH8 is wide enough that in addition to your image being displayed, there is a small section, on the right side of the screen that displays information about your incoming signal and monitor settings. I haven't found that overly useful, but who knows, it might grow on me.
ikanVH8_extrainfo.JPG

There are a few other features (DSLR scaling) that may be of interest to you so check them out. But this hit all the high points for me, and with four user configurable "function keys" on the back of the monitor, you can set the features that you use the most to be turned on and off with a touch of these buttons. Very convienent.

Fourth hurdle is power. The VH8 offers a range of power options---AC & Battery (Sony "L", "BP-U", Canon "900", "E6", and Panasonic D54 and G6). Well, my eyes lit up when I saw the D54 in there. Perfect match with my AC90, allowing me to invest in additional D54 batteries and use them with the AC90 or the monitor...no need to start carrying around another set of batteries.

You are not getting a tank of a monitor here. It is lightweight plastic and will not take a lot of abuse. It does not have a ton of buttons (as the more expensive monitors offer), you have to go through a menu system to access options (other than those features than can be assigned to the function buttons). But for me it hit a sweet spot and so I'm putting it to good use. Will report back after I've logged more working hours with this 'gem' of a reasonably priced LCD field monitor.
 
Thank you for the review Michael! I've also just in the last couple of weeks been looking for a monitor under the $500 price. I noticed the Ikan that you reviewed and two other monitors. But the Ikan peaked my interest more than the other two monitors. Have you tested the monitor's brightness in outdoor conditons? Good, bad, or OK?
 
Thanks for posting. I have a question though. Is the monitor a 16x9 ratio screen or is it closer to anamorphic? Seems like it is longer than a usual HD frame. How does the monitor handle an HD image? Filling the screen?

Thanks
 
Thank you for the review Michael! I've also just in the last couple of weeks been looking for a monitor under the $500 price. I noticed the Ikan that you reviewed and two other monitors. But the Ikan peaked my interest more than the other two monitors. Have you tested the monitor's brightness in outdoor conditons? Good, bad, or OK?

Tried it out on my ProAm crane this weekend...not a cloud in the sky at the soccer field at noon...happy to report that I was able to see the monitor clearly, without having to crank the brightness setting. However, getting 30-40 degrees off axis and the visibility fell off rapidly. The monitor shipped with a sunshade---which I find does not fit well with the monitor, it extends down about 1.5" below the monitor (I've contacted them as I think they shipped the wrong shade). In any case, suggest you get a sunshade for this monitor so you've got all the bases covered... [EDIT: Confirmed with Ikan that they shipped the wrong sunhood, they are sending out the correct hood, so the fit will be correct around the LCD screen.]
 
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The monitor uses 1365x768 to display the 16:9 image from the camcorder. and its got 234x768, left over, for the "information display" when using the standard display mode. When you select the 'pixel to pixel' mode then every pixel of the full 1600x768 is given over to displaying the 'window' looking at your 1920x1080 incoming signal.
pixeltopixel.JPG
I'll have to look more into the DSLR scaling option...maybe it has some additional display modes worth using??
DSLR Scaling.JPG
 
Hi, I know this is an old thread, but I've searched all over but cant find much info on this monitor aside from user reviews on B&H. Do you still own this monitor? Do you see any reason not to get one? I plan on using it with my BM pocket camera, as the frequency it outputs seems to be supported. I read there's a custom aspect ratio as one of the listed features: is this something you can confirm? This would be great for shooting anamorphic if this is the case!
How accurate did you find the false color to be? Does the scaling DSLR allow you to see the picture full screen? I would hate to give up the screen real estate to some info bar, would be great if this can be turned off?
 
Hey Martin, I've used the monitor now for several months with my camera crane and AC90, and continue to be very happy with it. As for aspect ratio, I'm not aware of a custom option...just the 4:3 and 16:9...and under DSLR scaling they include 3:2 and "full screen". Don't know if the BM camera can use it...but the DSLR scaling does not work while I am using the AC90...so I have not been able to see the image 'full screen'...I always have the info panel showing. But I'm still seeing the image at 1365x768 which is much better than so many other monitors out there that max out at 800x600. I have not used the false color option...again, mostly tracking the sports action on field, using zebras from the camera output. Sorry I couldn't be more help...
 
Oh, and as I'm frequently shooting in the rain (or with threat of rain!), I did some digging and found that the Steadicam HD UltraBrite 2 Monitor Rain/Dust Cover is a great cover for the monitor, with room for the battery sticking out of the back of the VH8. Will have to snap a photo and post that. The material feels heavy-duty and hopefully will stand up well to the wear and tear of outdoor use.UltrabriteRainCover.jpg
 
Hi Michael,

thanks so much for getting back to this old thread, and for the update!
About the DSLR scaling, the specs say HDMI only, but you already mentioned that you are connecting via HDMI, so I wonder why you cant use the scaling/full screen feature.
I cant find any review about any of the custom aspect ratio features either.

I'm deciding between this and a generic Chinese one i can find locally for a bit less money, 1280x800 and 7" promoted on Personalview http://www.personal-view.com/talks/...7-neway-cl76ho-x-and-cl76sdi-monitors-amazing
I tested it at a trade fair and it works with my Blackmagic pocket camera.

I thought it looked ok, not amazing but good enough. Bigger/heavier than this Ikan for sure. I was mostly interested in the Ikan's full screen resolution, as it would stretch nicer to anamorphic if there is a user setting for custom aspect ratios as found on higher priced monitors.
 
Yes, I'm connected by HDMI...so maybe I need to experiment with this a bit more...but so far, no 'full screen'. Checked out your link, and it looks like a nice monitor, lots of connections and an IPS panel...very nice. Will let you know if I can coax the DSLR scaling to work for me...
 
There are usually several used Marshall 5" VLCD50's on eBay. Great viewing angle and it's got blue-only. You can get battery plates for all kinds of batteries for $30 or so. Even if your camera doesn't display color bars, hooking it up to your NLE and tuning with blue is a good idea - I was very unhappy with my first monitor since it was way off in brightness, and brightness totally depended on viewing angle.
 
Yes, I'm connected by HDMI...so maybe I need to experiment with this a bit more...but so far, no 'full screen'. Checked out your link, and it looks like a nice monitor, lots of connections and an IPS panel...very nice. Will let you know if I can coax the DSLR scaling to work for me...

In the Ikan VH8 youtube video, they briefly mention 1:1 pixel showing how the entire frame is filling the screen, but I imagine this must be from a 480p DSLR output, not from a 1080p output.
I wonder how to access the custom aspect ratios, both the Ikan and the Chinese one list it as a possibility, but I could not find it on the Chinese one nor any evidence of anyone having done that on the Ikan.
Firmware update perhaps?
 
Well, I've tried the 1:1 pixel... that feature gives you a 1600 x 768 'window' on the full 1920x1080 signal from the camera. And you can move the window around so you can concentrate on a part of your shot...neat, but not something I expect to use often. I would like to get a 'full screen' image of my incoming signal, [EDIT: just looked at the monitor document again- button "2" cycles through aspect ratios 16:9, 4:3 and "full"...so will try tonight and expect that I can get a full screen image with the 'full' setting---will let you know] and so will play around with the DSLR Scaling option again... and I've sent Ikan support an inquiry about what the "custom aspect ratio" feature is and how it is accessed/used...so will share their response...it is clearly listed on the "features" page for the VH8...but no explanation in their quick start guide...and they don't provide a (more detailed) use guide...anyway, if you find out more let me know..!!
 
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Thanks Michael would be great to hear your findings.
I've contacted Ikan plus one reseller last week about compatibility with the BM pocket, and have had zero response.
 
@Mrverron... This review is very useful.

Your list of features is impressive "brightness/contrac/colour temp settings, monochrome peaking (for focus assist), false colour and clip guide (shot exposure assist), shot guide and crosshair (composition aids), and finally Pixel to Pixel mode."

Are 'waveform, zebra" included somewhere in the list?

Why is monochrome peaking needed if you have "pixel to pixel"?

I think "full screen" is pretty important in any monitor. If I get the IKAN VH8, I would not want to have to go to the LCD or the VF.
 
@kwkeirstead. No waveform or zebra, although as I understand it, the "clip guide" will display overexposed areas of the image, with a settable IRE value, and the false colour feature also assists with exposure analysis. Monochrome peaking assists with focus, showing focused area in read outline..., so maybe some folks prefer using that over their own "eye judgement" based on pixel to pixel...

@Martin, I cycled through "button two" aspect ratio...on my monitor it goes 16:9, 4:3, and then "user" ... with user being the same as 16:9. The "Quick start" manual for the VH8 says the third option is "Full", but that is not so with my monitor...so another question for the Ikan support crew. I've already asked about the "custom aspect ration" feature listed on their website for the VH8, but no response to date. In any case, I am still happy viewing my AC90's output in 1365 x 768...which is a 16:9 ratio...don't know how well scaling would work full screen, as the 1600x768 is 16:7.7 ratio...!!

Anyway, hope this review/discussion will help with your purchasing decision...
 
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