I need some career advice

roxics

Veteran
First a little background (I apologize for the length, I’ve written a small novel here)
Four months ago I lost my full time video job. I was only there for seven months before they decided to get rid of the position entirely.
Previous to that I had been unemployed for four and a half months after losing the full time video job I had for over eleven years.

During both of these unemployed periods I’ve been able to fall back on a couple freelance clients I’ve had for a few years now.
When I lost my first job it was tragic. I had been there for over eleven years. It was stable and it was where I gained all my experience doing professional video. I had hope I would find another job like it and I thought I did with the second one. But losing that one after only seven months left a bad taste in my mouth. I now realize there is nothing stable about this career and I had just been lucky for a decade.

So I had to take a deep think about it and decided I would just try to do it on my own. Be my own business and freelance full time. Except I really don’t have a lot of experience with it. Just a few clients I’ve worked with on the side over the last few years.

I had been shooting with my GH4, which had been fine, but I decided to use one of my credit cards and buy a couple used Canon C100s. In all the years of working professionally I’ve never had a client ask me to shoot 4K and despite going backwards from 4K to HD, I would gain built in XLR jacks and ND filters. Both things I wanted. But just as important, I would have two matching cameras that looked more professional when I showed up on a shoot with new clients I had hoped to get.

I did end up getting a new client, referred to me by a friend. He’s a nice guy and owns a small agency. But that’s also part of the problem, he’s not an end client, he’s a middle man. I’ve never worked for a middle man in this capacity. My other clients are all end clients. I’m making videos for their organizations and they pay me what I ask, which is reasonable. Not too high and not too low. But I only get maybe a project or two a month from them. Often it tends to rotate where I’m working with one one month and another another month. So it’s not like I’m getting four projects a month between them. At most it’s usually just two.

With those other clients I work with, they know my rates. They know that I usually charge a half day or day rate, but they know what that breaks down to hourly. They also know my hourly rate for editing. Typically they will call me or send me an email with new project details, I’ll agree to do the project and then we’ll go do it a week to a month later. Then I’ll come back and edit it. We’ll go through a round or two of revisions and then I’ll send them the final video and invoice for my time shooting it and how much time it took me to edit, which is typically 6-12 hours. They pay the invoice and the process repeats.

This new agency client is very much a wheeler and dealer, let’s make a deal type guy. He’ll ask me to come into his office (usually that day or the next) to meet with him and his guy and they’ll throw two or three video projects at me that they picked up from clients. They'll show me the old stuff the clients had done with another vendor, call it all crap (even if I don’t think it is), say that we can do it better and ask me to quote them right then and there. At which point I’ll throw out something like my day rate or half day rate plus out six hours of editing time. Then he’ll tell me some reason why that’s too much money. Either the client’s last video guy was cheaper (so we have to do this one on par with that), or he himself is paying for this video out of pocket in a trade with the client (so give him a break on the price) or it’s only a two hour quick interview shoot so why am I trying to charge him a day rate or half day rate.
Often there is a promise for more work in the future, so he’ll make it up to me on future projects. Then he proceeds to tell me how long it will take me to edit. “This should only be a two hour edit” or something like that. While I’m like “no not really, it’s probably closer to four or six.”

I’ll give an example.
The first shoot I did with this guy was a trade he had with the client. So the client was installing their product in his house in return for him producing a video for them. Since he was paying me out of his own pocket, he asked me to give him a deal. I was hesitant but said ok. What he didn’t know is that the deal price I gave him is the same price I charge my other clients.
See I charged my other two clients a grandfathered in rate that I have been charging them for the last few years. I rate I was happy with since it was really just side work back then and I had a full time job. Once unemployed this year and deciding to go freelance full time, I decided to up my rate an additional $25 an hour. After all I would have to be buying my own insurance now, paying child support through these projects now and have to pay for new gear. So it only made sense to up my rate a bit.
So I gave him what I called the friend rate. Which is the rate I charge my other two clients(who are actually friends of mine that work for the organizations that are my clients). But told him this was a one time thing.

Somehow we agreed on this shoot being a total of six hours over three days. Two hours a day plus about seven hours of editing. I ended up shooting for nineteen hours over three days and cut a rough video and now have to go back and recut the video differently since it’s not what his client expected the video would be. The whole thing has been a mess. He says he feels bad about it and palmed me a hundred dollar bill on the last day of the shoot. He also payed me before the project is even done being cut and added and extra $300 on top of what I invoiced him for, which was just the original quote I gave him for the six hours of shooting and seven hours of editing. Ultimately I made $1200 off the project but am still editing it. If I would have charged him the full “friend day rate” for the three days worked, plus editing I would have come out around $2400. If I would have charged him my new rate it would have been closer to $3000.

But I decided to keep working with him, figuring this was probably just a mishap. At which point we are back to my new rate and he knows I won’t budge from that now. So instead he’s been trying to cut the hours it will take. He’s got a series of videos now that are interviews and he wants to do two hour shoots. Which realistically should only take an hour or two. The first one I did took exactly two hours because it had b-roll we had to shoot. Others won’t. I had originally quoted him a day rate, after being scared off by my fist shoot with him and how out of hand that one got. That way I would cover my butt. But he balked at that idea so I said I’d be willing to do half day rate. To which he also said “why would you charge me for four hours when its only a two hour shoot” At which point I felt a bit like a jerk and agreed to a two hour shoot since it was local and a simple shoot.

This is getting way too long so let me try to go quicker. He’s been very stressful to work with. I get a call or an email from him or his guy nearly every day about something and often times they want me to come into their office to have a meeting, when an email would suffice. He acts like I’m one of his in house employees who should be available to him at all times. They’ll call me when I’m on shoots with other clients and ask me to come in later that day for a meeting, even though I’m not going to be done with that shoot until who knows when. I sent that day aside for that shoot with that client.
He’s always asking for quick turn around times, because he has a meeting with the client and needs to show them something.
He’s even offered me some work space in his office and once they asked me to come into their office to do a quick emergency edit on a project (that wasn’t originally mine) because of some meeting with that client later that afternoon. They sent that email at 8AM and I didn’t get back to them until 1PM because I was on a shoot that morning with another client, out of cell range on a construction site. They got it figured out but later he gave me crap about it, saying something like I scared him a bit because their last video guy wasn’t that dependable. When they couldn’t get a hold of me to come in that morning to do the edit they questioned my dependability.

First of all, I’m not just there to do emergency edits on projects that aren’t my own. I'm willing to do them if I'm around, but I have other clients as well.
Second, I don’t come into my client’s office and edit on their machines. I work on my machines at my place. Does McDonalds come into your house and make you hamburgers on your grill?
Why they would even think I would do that, I don’t know.

So in summary, this client stresses me out compared to my other clients who are all really great. But I don’t know if I’m just spoiled by my other clients. Part of me just wants to drop this guy because I feel like I’m being taken advantage of. But the other part of me doesn’t want to turn down any work I can get.
I’m worried about staying afloat. I’m forty years old and this is the first time I’ve really gone at it being freelance full time. I have no college education and nothing else to fall back on and no one seems to be hiring full time video people where I'm at.

To make matters worse. I’ve become an agoraphobic with a fear of traveling. I can’t get on a plane at all and driving further than an hour away from home has me in a panic state where my heart is racing and I’m sweating and shaky and my vision becomes like low frame rate stop motion. It’s a mental illness most people don’t understand since most people can’t wait to travel. It’s even crazier for me because I used to be a truck driver in my early twenties. I would travel around the eastern half of the US a couple times a week. I would get in a truck at 9PM, drive ten hours, make my drop and drive ten hours back. Some trips were two days each way (going to Texas from the north). I did that for years. I used to love to travel. Now I can barely go an hour away from home before I break out in a full panic, let alone across the state or into other states. I literally have nightmares almost every night of traveling far away where I wake up in a panic. I hate it and it severely limits my profession. But this guy has local shoots. Whereas my other clients on average are taking me close to an hour away from home for each shoot. I love those clients and they’re friends of mine, but I’ve had to deny a couple jobs with them because they were too far out for me to handle. So I’ve been really reluctant to challenge this guy too much in fear of losing what work I can get.

Plus we’re also losing our rental house in the next few months and have to find a new place. The first time I’ll have to do that without being able to say I have a steady full time job. So I’m a bit stressed about that too. I don’t know how that is going to go. I know it will be more expensive than where we currently live, so I have to be able to pay for that.

Again I apologize for the length of this and honestly I’m hesitant to even post it. But I could really use some advice about what to do with this client and my career in general.
 
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Not making a living as a videographer, I can't tell you much about that aspect of it, but what I can point out is that you need to tackle you agoraphobia. It's limiting your options. It's unsustainable. You're freelancing now. You can't count on making a living only from jobs within a radius X. You are turning down work from good clients and stuck with a chiseler client - agoraphobia is putting a serious crimp in your ability to make a living. Look into treatment - agoraphobia is treatable. Get that fixed, regardless, it's also limiting your life. Best of luck!
 
Sorry to hear you've had a rough go over the past couple months. I think the most beneficial thing for you would be to try addressing the fear of traveling with cognitive behavioral therapy -- right now your nervous system is freaking out in response to frightening thoughts, but with practice you can learn to control that response. It's curable and I think worth looking into -- going to be really tough to have a freelance career if you restrict yourself to such a small radius, I would think?

The guy is a classic manipulator and unfortunately as you describe it, it appears to be working! Come up with a number in your head for every job that you're willing to do the work for. Tell him via phone or e-mail "I don't have time to come into the office for free -- here's my number, you know what kind of work I can do -- take it or leave it."
 
Unfortunately, in my experience, the advertising & marketing world has many of these type of shysters.
Walk away. "a trade for client" is the first of many red flags. Be a pro - set your rates and stick to them (do charity work for lower or free but don't feed a**holes). But most of all - go with your instinct / gut. Life is too short to work with a**holes. As Paul said, he's using you - sounds like he's very much aware of your recent layoff & will keep abusing you if you let him. And then just be prepared for him to do it to the next guy as well.
 
He wants you in the office to manipulate you, which he has done successfully. It will never get better with this guy. He knows how to play you. He will do it every time you visit the office. Stand your ground or walk away.

That's right. Until you walk away from a job, you got no leverage.

As to anxiety, you're going to deal with it. Hopefully, without the meds.

Business-wise, you're going to have to begin cold-calling, establishing relationships with the perspective clients in a concentric circle, etc.
 
By the way, when I meant "walk away", I didn't mean that you have to do it in a huff. Your friend has made you some decent money. Express your gratitude for that but subsequently express, in as polite terms as possible, why you feel the way you feel.

In other words, some income is better than no income and, until it become absolutely necessary to throw this relationship away, don't.
 
IMO, don't end the relationship just yet because it's difficult. You're currently really not in a position to do so.

I know it sucks, but any work - any opportunity you may find with these people or through them - is important right now.

I also recommend finding a part-time job doing something else between gigs. Yes, there will be conflicts some days but you'll have a better balance in your life.
 
Sorry to hear about your situation, but you can turn it around if you work your butt off. I was in-house for eight years before I decided to strike out on my own (and in a new city where I didn't know anyone). It has been extremely challenging but four years later, I am still here and making a living (though there is still plenty of room for improvement). There's a thread with some great advice from other DVXusers who very helpfully answered my questions about making the transition here.

Others have mentioned addressing your agoraphobia already. In terms of business, set your rates and stick to them. Seriously. And put everything into a written contract, every time (even for any free work). In order to do business with you, the client MUST sign it. This document has to include the scope of work, the timeline with all deadlines (including revisions), your rate, overage rates if the job creeps in scope, cancellation fees, and penalties for late payment. Also, when committing to an edit, give yourself some wiggle room. If an edit is going to take you three days to complete, give yourself a week or more to deliver. That way if another opportunity comes up, you have the scheduling flexibility to take it. It also gives you the opportunity to surprise your client by finishing your edit ahead of schedule. I know that this is not always possible, but it's something to aim for.

Personally, I don't take anything less than a half day rate for production work. Committing to a two-hour shoot might keep me from being able to take a full day's work, so it needs to be at least a half day to be worth my time. Also, I know that I typically can't deliver a level of quality that I can stand behind in just two hours. What I will do is work with my clients to maximize our time together. If they only need two hours of production work (which for me would typically mean an hour to set up and a half hour to break down), well, were they planning to do a shoot with their CEO next month? Let's tack that onto our shoot. Could we possible get some b-roll footage aroudn the office? We can grab a few good shots for them with the extra time. Etc.

Scheduling: it took me a while to realize this, but I don't think that you should ever allow yourself to have a slow day. If I'm not working, I'm out there having coffee with people and attending networking events. It didn't come naturally to me, but it's something that I have learned to do (I joined a local BNI chapter that has forced me to improve in this regard). Last week was on the slow side, so I had coffee meetings with seven different people and went to two networking events. If I'm not doing that, then I'm getting caught up with my accounting and administrative stuff, or I'm repairing, sorting, testing, and labeling gear. As a small business, there is ALWAYS something that you could be doing. I literally block off my calendar with these tasks. If someone wants to meet with me, I am happy to do it and I'll move things around if I can, but it still has to work with my schedule. If you don't set this as an expectation, expect to be summoned all the time -- as if you are on call.

Regarding this particular client you've been talking about, I think you need to communicate your concerns when the next project comes up and present him with a written agreement to sign. And it's tough, but I think you need to be prepared to walk away. My sense is that he is looking for someone who is willing to work with contracts so that he can have everything on his terms. I think most of us have been there before; I know I have. In my experience, if you continue to work with someone like this, you may find yourself continuously busy and yet not making much money for your efforts. And then you'll start to resent the client, and you might even be compelled to drop your standards. It's a negative cycle. Don't be that guy.
 
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I have dealt with approximately one billion (give or take a billion) of these deals where the client tells you how long everything should take, as well as many whove told me my (pretty low for the Houston market) prices are too high. Like several others here, I would say this client is pretty lame and you should be willing to walk away...calling you in for meetings all the time etc. seems crazy to me, as a freelancer for 12 years. Editing at someone’s “suite” on the other hand is not necessarily as crazy as you seem to think it is. But that’s one sane drop of water in an ocean of insanity.

One thing I can tell is as a freelancer your sales skills, as in your ability to sell your services and yourself to new clients, become as or possibly more important than your skill level; its how you keep new business constantly coming in. I am terrible about this but if youre trying to be a successful full service production company dealing with end clients directly (rather than a crew member working for other production companies) you’ll have to get real good at it.
 
I apologize for my short post. i didn't read your entire post.

I was in a terrible state of mind in my mid-30s. I was falling apart from no particular source of stress that I can think of. I had a good job and good home life, yet I was a nervous wreck. I could barely function. My doctor sent me to a shrink. To this day, I don't know what talking to a shrink for 10 weeks did for me. But it cured me. I strongly recommend it.
 
Meetings are very common in corporate. People have meetings to discuss meetings.

Just has to make financial sense for some people to have them, obviously.

If 2 weeks of borderline nonsensical communication leads to an easy $20K contract then maybe it was all worth it, and you'll never question it again. But has to pay off at least once. This part of this endeavor is simply a miscommunication between the sales guy and the freelance guy who naturally have completely different perspectives.
 
Meetings are very common in corporate. People have meetings to discuss meetings.

It seems like this might be in response to what I wrote. To which I'd say, yes, any working person is probably well accustomed to meetings. But it's a different dynamic as a freelancer when you're meeting with people who aren't in the same organization, or sometimes even the same industry, and oftentimes have never communicated with you before. You're establishing new groundwork. I've found that it takes some practice to make sure that you are plugging your business, learning about theirs, trying to offer some value all within a short period of time, and then following up with them and any other contacts they might have offered you. This was definitely something that I had to develop after leaving the corporate environment. It's sales, which was rarely a muscle that I had to flex when I was in-house.
 
It was a response to Josh ("...seems crazy to me..."), but Paul posted before me. Probably should have quoted.
 
I have to say that Nicholas (QuickHitrecord) also sounds really organized. Talk about a must for running your own business.
 
Thanks for sharing. I'm sure lots of folks here have similar experiences.

The best advice anyone gave me for my video production company is this: "If you're not turning down some gigs every few weeks because they pay too low, you're not doing it right."

I'm 41, have a 1-year old kid and my small video company which I started in 2014 with a GH4 and two GH3s. Now I have two C100s and a 1DX II. Some months I'm swamped with work while others are pretty lean. I can absolutely relate to your experience in this industry. Some of my clients are fantastic, some are douchebags. The only way to keep your sanity is by dropping the douchebags. Don't burn the bridge, just politely decline the offer with a "sorry, I already have a video shoot that day." Eventually, they'll find someone willing to put up with their crap and will stop asking you. Life is too short to deal with douchebags. Work hard, keep learning the craft, send thank you emails to good clients after each gig, and more clients will eventually appear through referrals.

As for the agoraphobia, you need to address it ASAP. This isn't an industry where staying close to home will get you jobs. Find a good mental health professional you trust and get the help you need.

Best of luck!
 
It was a response to Josh ("...seems crazy to me..."), but Paul posted before me. Probably should have quoted.

Sorry if I was unclear. i meant the frequent meetings over every little thing with the middle man guy. Meeting with an end client several times? Yes of course thats reasonable.
 
I commend anyone who can make a living running their own business. I tried it 2000-2004. I did a lot of work, made many customers happy, and would have netted more money working at McDonald's.

I remember you mentioning that you had a son. If so, the pressure is that much greater.

The problem with losing a job you've had for 11 years is that you get set in your ways around middle age, and stepping out into something new feels harder than in your twenties. I am spoiled in my job of 14 years. Every now and then there is the threat of layoffs, or just my own irritation with the corporate bureaucracy, and it feels like stepping out onto a high dive.

This dude you're talking about is setting off my post-traumatic stress disorder.

He’s been very stressful to work with. I get a call or an email from him or his guy nearly every day about something and often times they want me to come into their office to have a meeting, when an email would suffice.

I think Paul F hit the nail on the head. This guy wants you in his lair so he can manipulate you better.


He acts like I’m one of his in house employees who should be available to him at all times.

Well, I am an in-house employee, and my bosses (yes, plural) don't expect me to be available at all times.


They’ll call me when I’m on shoots with other clients and ask me to come in later that day for a meeting, even though I’m not going to be done with that shoot until who knows when.

#red_flag


He’s always asking for quick turn around times

#red_flag


He’s even offered me some work space in his office

Like in the corner behind his file cabinet?


a quick emergency edit on a project

#red_flag


They sent that email at 8AM and I didn’t get back to them until 1PM [...] he gave me crap about it

Get out!

Since when is email expected to have a reply any sooner than 24 hours?

I had originally quoted him a day rate [...] But he balked at that idea so I said I’d be willing to do half day rate. To which he also said “why would you charge me for four hours when its only a two hour shoot”

Run! This guy is toxic.

I agree with the others who say freelancers should not charge less than a half-day rate. I believe day rate was the norm, and doing a half-day is the concession. Doing half of a half day is something you should only do for your grandma. What about planning, prep, and breakdown? What about equipment, health insurance, wear-and-tear on your vehicle, fuel? If he wants you to charge by the hour, charge him by the hour for talking to him, for driving to and from his office, and for answering his ridiculous emails.

Anything is better than this. You should not work for this guy unless he was the last person on earth. Work at Starbucks, work at the corner grocery store, before dealing with this guy anymore --- at least like this. If you want to keep working with him, charge your normal rate, at least half a day, don't let him talk you down in your price or your time, and no rush jobs. If you worked in the E.R., then your boss can ask you to hurry. To me, all his haste is self-induced. Repeat after me:

"Lack of planning on your part does not constitute an emergency on my part."​


He’s a nice guy

He is not a nice guy. He clearly despises you. And not just you. It's nothing personal, he probably treats everyone this way. He has too little respect for other people.

---

Let's not talk about him. Let's talk about happier subjects.

If you're going to go into business on your own long term, this top sticky in our Distribution/Marketing section has always seemed right to me, How To Get Started and Stay In The Business. Sounds like a lot of hustle, though. I hope you're better at it than I was.

Besides your main role as general video maker, are there any jobs adjacent to it? For example I more than once considered advertising myself as an audio guy. Not like one of the really good ones with a 24-track mixer, 20 microphones, and five wireless systems:

when having some Xmas drinks with a producer he commented on this exact topic and asked what ever happened to the old style of production (Shure FP33 and a 416 and perhaps one radio mic going straight into a camera). This is all he needs [...]

What about still photography? What else you got :)

For me, I had to downshift from my major (film) to my minor (English). I got a job as a technical writer, which quickly led to a job as a programmer at the same company, and I didn't know how to program! They let me learn in house. There was a very well-paid server administrator there too who never went to college. It's about who you know, because to hire you, the person with the money first has to trust you. If you get on the inside at a company and they see that you are a responsible adult, then you can move around rather nimbly.

Even that entry-level job I got because I knew someone who worked there. Relationship is everything. So cultivate the good ones and prune away the bad ones.
 
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A-hole clients like this can smell your desperation and exploit it. The problem is: you are desperate. And it takes time to build your clientele.

I would keep working with him until you can afford to dump him. But i would set your limits - don't give unlimited free meetings and don't be at his beck and call if you're not being compensated. He's not going to get better service from someone else, so you don't need to worry about losing him. Plus, he'll respect you more.

My proudest day as a freelancer was when I told this super stressful, low-budget client that I was unavailable for their editing gig. I was available, but I had grown to the point where I could afford to turn them down.

Best of luck, buddy! You will never lose all your income at once again.
 
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