Leo Versola
Well-known member
I shall have mine early next week, it's gonna be a long weekend...
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Now would be a good time to create that HPX170 section. :thumbup:
Now would be a good time to create that HPX170 section. :thumbup:
Now would be a good time to create that HPX170 section. :thumbup:
Or just add it to the HVX200 section. And add the HMC150 to the DVX100 section.
NTSC DV25 will be 4:1:1 and, while the format is the same as an NTSC DVX100, the images will be much sharper on the HPX171.
PAL DV25 will be 4:2:0 and similarly superior to a PAL DVX100.
The biggest difference will be in 16:9 mode, the images will be way sharper. In 4:3 mode they'd be more comparable.
Well, no, not necessarily. I mean, the 170 will have more color information than the 150, but for overall sharpness they should be about the same. The 150 might eke out a few extra pixels of detail over the 170. But the main thing is about the compression artifacts, and if there are any. The 170 is very, very clean in 1080p mode. The 150 might be being pushed to its limits in 1080p mode depending on what the content of your scene is. The 150 is a long-GOP codec system, so its quality may change based on the type of footage you're shooting; the 170 will always be consistent.i understood that the HPX170 will be better than the HMC150 in 1080P. That means HPX 1080P is sharper than HMC 1080P?
Yes, exactly.Or is that a question of artifacts?
They should be identical.What about the noise? Is the HPX really noisier than HMC?
NTSC DV25 will be 4:1:1 and, while the format is the same as an NTSC DVX100, the images will be much sharper on the HPX171.