If you're shooting in 60i (50i PAL) and you set the shutter speed slower than 1/60 (1/50 PAL), you would expect to get a progessive looking frame. But the GH2 produces a picture that still looks interlaced. How is this possible?
Well, there actually is a progessive looking picture lurking in there, but the GH2 is jumbling the fields around between adjacent frames to make it look interlaced. Here's a fix for that. It's an AviSynth script.
directshowsource("Your_movie.MTS")
ComplementParity()
separatefields()
Trim(1,0)
weave()
This will produce a correct looking picture without any interlace artifacts.
Now the question is, is this really a progressive picture? The answer is, not exactly, but close. It has the same vertical resolution of an interlaced picture - definitely more than a single field being interpolated. It might be something akin to Canon's Frame mode on their old XL cameras. Bottom line - it looks good. Not as good as progressive, but still good.
So, why would you shoot in this mode when you can shoot in 1080P at the same slow shutter speed? There are two reasons I can think of.
1) When you're in really low light, shooting 1080i will produce significantly less noise than 1080P at the same shutter speed. Try it and see for yourself.
2) For people in PAL land, this is a way to get a 25P look.
Hope you find this useful.
Well, there actually is a progessive looking picture lurking in there, but the GH2 is jumbling the fields around between adjacent frames to make it look interlaced. Here's a fix for that. It's an AviSynth script.
directshowsource("Your_movie.MTS")
ComplementParity()
separatefields()
Trim(1,0)
weave()
This will produce a correct looking picture without any interlace artifacts.
Now the question is, is this really a progressive picture? The answer is, not exactly, but close. It has the same vertical resolution of an interlaced picture - definitely more than a single field being interpolated. It might be something akin to Canon's Frame mode on their old XL cameras. Bottom line - it looks good. Not as good as progressive, but still good.
So, why would you shoot in this mode when you can shoot in 1080P at the same slow shutter speed? There are two reasons I can think of.
1) When you're in really low light, shooting 1080i will produce significantly less noise than 1080P at the same shutter speed. Try it and see for yourself.
2) For people in PAL land, this is a way to get a 25P look.
Hope you find this useful.
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