Guidance needed for replacing zooms with primes.

Jeremy_Sawatzky

Well-known member
Hi guys, I work in a stable studio shooting environment where the subject stays in one spot and cameras are fixed.

I run 2 GH2 cameras, one with the 14-42 panny lens and the other with the 14-140 panny kit lens.

I want to replace both of these with primes. - a 35mm and a 50mm. - those are the focal lengths we set the zooms to.

I would love something faster than the zooms- preferably 2.8 and lower. - Price range will probably end up around $300-400 per lens.


Are there any quick picks that you guys would recommend? - I get horribly lost when researching lenses with crop and different mounts and can't seem to nail down any for sure options.

Thanks fellas
 
Thanks fellas

Hey man, there are probably some fellettes around here too.
Err maybe not.... :tongue:

I think for the 50mm you'll probably want to take a look at the Oly 45mm f/1.8 - fantastic lens and well priced.

For the 35mm I'm not so sure. The Leica Summilux 25mm f/1.4 is really great as well, but maybe too far off from your desired focal length. And it tops over your budget a little bit.

I haven't ventured much into adapted lenses outside of a few Canon FDs but I'm sure some other folks can chime in.
 
Do you want autofocus? Do you need razor-sharp? If no to those, then consider the Canon FD35mm f2 and FD50mm f1.4 (stopped down to f2), which I use and really like. Or the Nikon AI-S equivalents (which are a little sharper, heavier and costlier).

But I do agree wih jmw about the Oly 45mm.
 
SLR magic has a pretty good 35mm that doesn't need adapting. Have not personally used one but what I have seen was pretty good.

I find it so interesting that both Olympus and Panasonic still to this day ignore the 35mm and 50mm lens options. Sure the 45mm is pretty darn close but it isn't a 50mm if one really wants a 50mm. 35mm on the other hand has been seriously neglected. Considering how many film makers love using 35mm and 50mm older primes I would think either company would see this as a sure thing product. Oh well.
 
I'd definitely recommend buying a used Nikon 50mm f/1.4 AIS (with Micro 4/3 adapter) on eBay. Something like this one:

http://www.ebay.com/itm/Nikon-50mm-...74674295?pt=Camera_Lenses&hash=item3a87192177

I've heard the Rokinon 35mm T1.5 Cine (Nikon mount) is a great lens:

http://www.bhphotovideo.com/c/product/884101-REG/Rokinon_cv35_n_35mm_T1_5_Cine_Lens.html

I haven't used it, but everyone raves about it, so that's probably your best bet.

Both lenses should add up to around $750, which lines up with your budget, and they'll be fantastic in low light. If you can find a used Rokinon 35mm, then it would be even cheaper.

Good luck!
 
Regarding using the 50mm nikon lens with an adapter is that the same way the panny lenses are read? I dont want to buy the nikon and find out its actually a 100mm due to the crop. I get so confused with the different mounts, crops and focal lengths.

The studio is a completely stable environment, in fact manual lenses are preferred so I don't need to pull focus every time I turn the camera on. (check it obviously)
 
Do you want autofocus? Do you need razor-sharp? If no to those, then consider the Canon FD35mm f2 and FD50mm f1.4 (stopped down to f2), which I use and really like. Or the Nikon AI-S equivalents (which are a little sharper, heavier and costlier)

the Canon FD's are great, 50mm + adapter is still pretty cheap and the 35mm f2 is really sharp (i got the Thorium SSC version) but more expensive
 
Regarding using the 50mm nikon lens with an adapter is that the same way the panny lenses are read? I dont want to buy the nikon and find out its actually a 100mm due to the crop. I get so confused with the different mounts, crops and focal lengths.

Lens focal lengths don't change. It's the camera that changes them - so just keep that in mind and it should be easier to understand. So if you are setting your 14-140mm to 50mm for your shot, then any 50mm lens will give you that same focal length.
 
Back
Top