That's a rough start there with the audio. I've had situations similar to yours - even in recent months. There was a producer who hired me a year ago to shoot documentary footage - some really important interviews - then claimed that he couldn't get any of my 720/24PN footy into his FCP system.
I spent the better part of three hours on the phone with the guy over as many days trying to save his project and our future relationship. Called in an Barry Green Q&A session favor (we were two of the only people on the planet that had tried 24PN into FCP apparently).
Anyway, in the end, it was the producer who was trying to capture the footage wrong, but I was really nervous for a few days that I'd ruined someone's project.
I've been in this stupid business since 1990 and anyone who knows me will tell you I never get nervous. Ever.
Anyway, I say we take it easy on the guy (at least until he finds out that he didn't screw it up after all).
e
I spent the better part of three hours on the phone with the guy over as many days trying to save his project and our future relationship. Called in an Barry Green Q&A session favor (we were two of the only people on the planet that had tried 24PN into FCP apparently).
Anyway, in the end, it was the producer who was trying to capture the footage wrong, but I was really nervous for a few days that I'd ruined someone's project.
I've been in this stupid business since 1990 and anyone who knows me will tell you I never get nervous. Ever.
Anyway, I say we take it easy on the guy (at least until he finds out that he didn't screw it up after all).
e