C200: Go to lenses

George Loch said:
Those who are using the sigma 18-35, do you find it vignettes in ef-s mode?
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I haven’t noticed any vignetting in raw.

Also, for cinema verite doc stuff I also like to rent the Canon 18-80 T 4.4 when there’s budget (and I know I won’t be shooting in low light). I’ve toyed around with the idea of buying that lens, I just wish it was faster than T4.4......
 
chris f said:
I haven’t noticed any vignetting in raw.

Also, for cinema verite doc stuff I also like to rent the Canon 18-80 T 4.4 when there’s budget (and I know I won’t be shooting in low light). I’ve toyed around with the idea of buying that lens, I just wish it was faster than T4.4......
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Same here. Nice lens, but shooting documentary, I always find myself in crazy dark situations it seems.
 
I really like using IS lenses and shooting handheld with 300 Mk2. Same sensor.

Interviews:
50mm 1.8. Could be any 50mm but I like the vintage Nikons.
35mm F2 for handheld or monopod interviews.

B-Roll:
Canon 35mm F2 IS
Canon 24-105 F4 IS
Canon 100mm 2.8 IS
Sigma 18-35mm 1.8
 
puredrifting said:
Same here. Nice lens, but shooting documentary, I always find myself in crazy dark situations it seems.
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I use 18-80 as my go-to lens with C300m2. Works great. A little bit on the heavy side sometimes but mostly fine. Handheld or on monopod.
50 1,2 or 35 2,0 when its too dark. 70-200 2,8 if I can bring a second bag.

All Peru (Venezuelan girls) and Sweden shots below were shot on 18-80 C300m2 (except for one Sony A7R2).
(Didnt film in the other countries so dont know what gear they used (Was a lot of matching when editing :-D)).

https://vimeo.com/337871059

Best V
 
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