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You could get a used GH5 for a song. Or a GH5S if you can do without IBIS. Or a BMPCC4K...
Are you willing to buy new lenses? The S5 is a great deal and has some advantages
It doesn't sound like you need the specs of the GH6
What are your use cases?
If buying either brand new, this is worth a watch for anyone not already with a GH5 thinking of a GH5 or GH5 II:
It seems to me like the primary advantages of the GH5II are 10-bit 4k60 (vs only 8-bit 60p internal on GH5) and V-Log L included with purchase as opposed to an extra paid add-on.
So, I don't see much advantage of you getting the GH5II as opposed to the GH5, which can be had for less
I would get the GH5 if you want IBIS. But you may decide that low-light shooting is more important than IBIS, in which case I would get the GH5S. The BMPCC4K would tempt me as well, but i think that the GH5 or GH5S would be easier for shooting doc. They have great battery life and a built-in EVF.
But hey, if you've got your eye on a shiny new GH5II, then I don't think you'll go wrong with that purchase. I agree that the GH6 will have specs that you won't need
Thanks. So as far as shooting a film would you use a GH5II? I also have a doc in the planning stages and I think it would be good for that.
When they say the auto focus has been improved are they right? It's not like I'll be trying to follow cars or people around a track.
I would use it if I had to, but it wouldn't be my first choice.
If I was instructed to use any MFT camera then I would currently choose the Pocket.
If the GH5 II had better AF (this will answer your other question) then I truly might consider it over the Pocket. But since it doesn't and it still behaves erratically (and absolutely cannot be trusted for a film where you have crucial acting/scenes) then the IBIS alone isn't enough to persuade me.
If I was upgrading to another Panasonic MFT camera from the GH3 then I would definitely wait for the GH6. Even if you don't need 6K or 8K there is a good chance the 4K will be nicer (with modern tech and super-sampling).
If I needed a Panasonic MFT camera right now, I would 100% choose the GH5 II over the GH5.
It sort of depends on your budgetary considerations. What's the total budget? Do you already own an EVF? I wouldn't get a BMPCC4K without budgeting for accessories. But maybe the camera is cheaper than the Panasonic you're considering, so maybe you have that money in your budget.
I have no idea how good the AF is on the GH5II, but I'm guessing that it's too bad for me to use outside of basic circumstances (such as adjusting focus on a person shifting around at a podium when the camera is unmanned).
As for the GH6, I'm not sure it will be worth the wait if it costs twice as much as a GH5 and if the chip shortage means you won't get your hands on one until next spring. The footage may even be more detailed but less pleasant (as NorBro has pointed out about the C300mk3 vs the c300mk2).
You may also consider if there are other tools you need, such as a gimbal, lights, microphones... in which case, it may be better to stick with the iphone and put the money elsewhere.
When phones finally improve their IQ in several different ways, many people will be using them for a lot of content creation.
They are getting really close...they need more manual control with a smoother, less harsh look and high-end codec/format.
When phones finally improve their IQ in several different ways, many more people will be using them for a lot more content creation.
They are getting really close...they need a high-end codec/format and more manual control, DR, and a smoother, less harsh look.
IMO, it still has that artificial look with sharpening.
That's always been the Achilles Heel for consumer/prosumer hardware.
What makes the above piece of content appealing is they know how to make films.
They are professionals and everything is perfect except the quality which just isn't there.
Cinema cameras are actually pretty simple...they use enough resolution to produce the purest IQ through minimal processing with no little to no sharpening in the form of a logarithmic output.
After that comes HFRs and AF and IBIS, etc.