Simon Shasha
Well-known member
10bit. More dynamic-range. Will be killer.
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10bit clean output, peaking, better internal codec at higher bitrate all cost nothing to implement. The camera already has the technology there to achieve these things. It's common knowledge that camera companies intentionally cripple these features.
Yes, the higher DR and Moire fix probably involve a new sensor which is fair enough but otherwise its all achievable at the current price point.
How is the tiny BM pocket cam getting 13 stops DR considering it uses a tiny body (harder to dissipate heat) and regular sized battery?
I don't know how much more R&D would be involved. I don't want or need RAW but look at how fast the development of Magic Lantern have moved. They don't even have access to what Canon have access to as its not their product but Magic Lantern have been able to add an unbelievable amount of features to Canon DSLRs.
Uematsu spoke about how the market has reacted to the company's products: 'GH3 has been well recieved, especially for motion pictures. As you know we interviewed many people in the industry in Europe and North America, so it would offer what they needed - broadcasters needed bitrates above 50Mbps so we offer 50 and 72Mbps. In Europe they needed 25p, not 50i. And they're using GH3 - it's much smaller and lighter than a professional camcorder and doesn't need several people to operate it.'
However, he says, there is still one feature they're calling for. 'Focus peaking and zebra pattern. More than 90% of the requests we're getting are for these features. We haven't been able to offer it - because of the limits of resources and of the Venus Engine processor. Because it is not included in the Venus Engine, focus peaking is very hard to introduce - anything we added in software would be very different.'
Don't be fooled, the cameras have the tech and the capability.
In addition, the Panasonic GX7 has a new Venus Engine image processor, which enables multi-process noise reduction.
So, are you suggesting the GH1, GH2, and GH3 were beta's? I'm very confused.....
....look at how fast the development of Magic Lantern have moved. They don't even have access to what Canon have access to as its not their product but Magic Lantern have been able to add an unbelievable amount of features to Canon DSLRs.
As a long term Canon user, I know all about Magic Lantern. Yes, it has evolved greatly over many years but the biggest hurdles they have faced are hurdles that the manufacturers would not have to deal with as it's their camera that they are designing from the ground up. Hacking a camera from scratch is much harder than adding a few features to a camera you already make.
Magic Lantern where able to add a focus peaking function to the lowest of Canon DSLR (550D) that is four years old. You telling me that even though the camera wasn't released with peaking, that it just happened to have the capability all along and the latest and greatest Panasonic flagship camera doesn't? Just doesn't make sense to me.
You can choose to believe what these corporations tell you but I don't buy it.
Again, don't get me wrong, I think the GH3 is a great camera but with a few little fixes it could have been a fantastic camera. I do however think that Panasonic are having a laugh when the released the GH3 with the terrible viewfinder & disappearing info. These are not feature requests but issues they must address for current camera owners.
Yes. In fact if you scour the Internet for me and happen to know my aliases, you'll discover that this theme has been running strong in my posts and published articles.
The vast majority of Consumer and lower level 'Pro-sumer' electronics including cameras, mobile handheld devices and anything that refreshes in less than 4 years are basically consumer subsidized 'public beta'. I'd go as far as to state that ANY device that cannot be upgraded falls under this rubric.
zephrynoid...if you don't think dslr video was a revolutionary leap above a 1/3" sensor hv20, then you'll be waiting forever for that leap . I sympathize somewhat , but really.... your attitude is like taking the bus to work , waiting for the jetsons flying car , instead of buying you a nice little vw !
Heck, since it's so simple for Panasonic to do it. And since Canon didn't do but it was so easy-peasy-lemon-squeezy for hackers to do for the 5DMKII without manufacturer support, what's stopping you from doing it for the GH3?
It's easy, right?
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Totally separate from this, I sometimes get the sense that most of the people who claim that "of course it can be done, they just don't want to for marketing reasons or to have a laugh" haven't been around very long. In other words, when I was getting started cameras still had pickup tubes. That wasn't actually that long ago. But if you have to Google pickup tube, then it sort of demonstrates a lack of understanding about how far we've come in such a short time. And hopefully how far we'll go in an equally short time.
That is total BS. How can you even begin to suggest that when compared with a 5D Mark III it is a third of the price and does pretty well as much. OK, it has shortcomings, so go buy a C500 for $25K. You been harping on about how this is a conspiracy by Panasonic to beta test an incomplete product, where really it gives everyone access to broadcast quality standard at a fraction of the cost of a broadcast camera. You don't like it, why did you buy it? You're not content, sell it and buy something else. Me, I have 2 GH3's and a GH2, lots of good glass, accessories and shoot broadcast standard footage for TV - all for less than 10K. You don't even buy a lens for that in the broadcast world.Video wise, its not up to an acceptable operational standard.
That is total BS. How can you even begin to suggest that when compared with a 5D Mark III it is a third of the price and does pretty well as much. OK, it has shortcomings, so go buy a C500 for $25K. You been harping on about how this is a conspiracy by Panasonic to beta test an incomplete product, where really it gives everyone access to broadcast quality standard at a fraction of the cost of a broadcast camera. You don't like it, why did you buy it? You're not content, sell it and buy something else. Me, I have 2 GH3's and a GH2, lots of good glass, accessories and shoot broadcast standard footage for TV - all for less than 10K. You don't even buy a lens for that in the broadcast world.
The images are great from the GH3 considering the price but I shouldn't have to spend $25K on a C500 like you suggest to get a camera that goes into record the first time I press the record button.
Video wise, its not up to an acceptable operational standard.