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They're moving from the DSLR format to mirrorless. The same goes for Nikon. And, as someone said many years ago, when you're making an omelette, you have to break some eggs.Canon just makes a mess with different mounts. One mount is the solution.
A 4K CRL is quite manageable with the CFast2.0 cards.While people love the idea of CRL, I am guessing that the general market for the C100 isn't actually interested in the data rates. Canon could probably save some some money on design by pulling the CRL out of the C200 and just giving us a low bit rate 4K camera...
Canon kind of, sort of announced a future 1D XIII. No exact specs were given but they promised to have 10-bit 4:2:2 C-log.
And so one has to wonder if Canon is bringing the 1D X series back to the cinema world and how it might fit with C100 MKIII in the same price range. To me, this makes C100 chances of having the RF mount a bit higher.
The RF lenses that Canon is launching looks pretty lovely. RF mount in a C100 Mark III makes sense as it would be entry level camera. However no idea what Canon is thinking. When they launched the C100 (original) I was told by their VP that they are aiming the c100 for wedding guys. It was meant to be a upward transition for the DSLR shooters. However, the response to the C100 by pros surprised Canon. So even if Canon thinks that the C100 Mark III users can't afford the costlier RF lenses, just bundling the RF to EF converter for free should solve the problem.
I am surprised that the C200 didn't become as popular as it was expected to be. When I talked with rental houses they said the videoshooters feel that this camera with raw is only for serious guys. C300 Mark II didn't sell well. So Canon should have given a robust non-raw codec in C200 to take up the market from others.
We also talked about how most of our clients won't pay any higher day rate for the C500 MKII than say, an FS7 MKII or a C300 MKII. That's when I said, "This client (the one we were shooting for), they wouldn't pay a penny more for us shooting the C500 MKII versus my C200, so why sell my C200 to spend $25k for the C500 MKII (we all figured that buying the C500 MKII with all of the goodies we would want and a big pile of CFexpress cards would be about $25k total) if I can still only get $400.00 per day day rate on the camera?
If a new more expensive camera doesn`t make you more money then stick with what you already have.