Fcp 7!!!

Barry,

First, we are on somewhat of a tangent. If you want to discuss what warrants calling something a format war or not, that's fine, but it was never the point: my point was comparing Blu-Ray adoption to DVD adoption is apples & oranges, both because of the vast differences regarding the format war and thus the true start date of the format (1) and the market conditions (2). In your breakdown of things, there was a skewed representation of that, one which I believe didn't take into account the actual history and market condition of DVD compared to BluRay.

More on that in a second, but first... regarding DIVX... spin it anyway you want, but here are the facts (and yes, I *was* around, and yes, I *did* do my research)...

DIVX was a 9 month fling (September 25 '98 - June 16, '99 [it was announced fall 97 and did test markets in summer 98, but did not launch until sep '98]) that launched 1.5 years after the first DVD players shipped... and after DVD had already been taking a STRONG hold in the market (very, very different from BluRay/HD-DVD already)... DiVX did NOT launch simultaneously.

It was NOT an alternate format, it was a VARIATION, or SPIN-OFF, or sub-format of DVD. Even the Hollywood Reporter article you reference clearly states this.

It is important to distinguish this is nothing like the total technological difference that HD-DVD and Blu-Ray was/is (different disc manufacturing processes, different tech companies backing it, different lasers, different hardware companies supporting it).

The issue here is not a competing format, it is the additional layers of DRM and having to phone home to playback a DVD disc. Some people may want to refer to this as a different format, and in nerd terms (which we all are if we're actually reading and caring about this discussion), I believe they are wrong. Technically, this should be dubbed a "DRM war." But that doesn't matter, because it's not the point. Moving on now.

To sum it up, DIVX was DVD with extra DRM. That's it. DIVX freely admits this, in their marketing they called DVDs without their added DRM "Basic-DVD" and called their "DIVX-enhanced DVD." The community responded vehemently against the employment of DVD - consumers NEVER bought on. They called normal DVDs "Open-DVD." Jim Brennan said he witnessed fist fights of consumers over DVD and DiVX.

You know, I'm sure this was true... it was the community reaction AGAINST DIVX! The vast majority of consumers were fighting passionately against DiVX and anyone who supported it. If it was a format war, it was Consumers VS Studios, not hardware company VS hardware company or studio VS studio. While DiVX-enabled DVDs held 10% market share by June '99 when they canned the format (for many reasons), that also means open-DVD still had 90% (I am careful to say "open-DVD" because DiVX was still DVD, just a DRM "closed" version).

The HD-DVD/Blu-Ray format was lasted nearly TWO YEARS (twice as long as DIVX lasted), and was a "true" format war in that you had two totally different technologies, launched simultaneously, with different manufactures producing discs, and MOST IMPORTANTLY - it was a consumer format war, with some consumers backing HD-DVD and buying in, and others buying into Blu-Ray. The market share was back and forth, neck to neck.

This is very, very different from DIVX, which failed miserably and even appeared on PC World's list of "25 Worst Tech Products of All Time." It NEVER caught on or had a fighting chance; 9 short months after launch it was discontinued. Whether you want to call it a format war or a DRM war, it was a pitiful one and was short lived.

Next, onto the studios.

And this is important and key to your point, which while technically true, is a misconstruing of the reality of what happen.

Paramount backed out of it's DIVX-exclusive announcement before the format even launched! It backed out BEFORE the first DIVX player even shipped to a *TEST* audience!

That left two studios - Fox and Dreamworks, as the only two studios supporting DIVX and *not* DVD (the other studios all backed DVD, and not at all surprisingly, also backed the DIVX-enhanced version of DVD (after all, what studio doesn't like more DRM?). This is because they recognized supporting DIVX-only was a terrible business move as consumers hated it and would not support it... but they supported both in hope that some consumers would opt for DIVX, because in the studios eyes, like every other single media business out there, more DRM = better.

Anyway, moving on a few months. Both FOX and Dreamworks ditched DIVX before it even officially launched! FOX ditched it in the summer, and Dreamworks bailed the day before DiVX launched nationally in September '98.

NO STUDIOS EXCLUSIVELY SUPPORTED DIVX WHEN IT LAUNCHED.

So let's get the facts straight: DiVX had *no* exclusive support from any studio by the time it launches nationally to the public.

That only two studios went exclusively for DVD were Warner and Sony is pretty much meaningless, since all the other studios also supported DVD, just also supported DIVX (for a whopping 9 months)... as if DiVX were some totally different disc type backed by a different manufacturer etc. A more accurate statement would be to say "ONLY two studios shocked the world and said 'to hell with added DRM on DVD discs!'".


In your argument, you misstated a gross number of facts:

- You said within 6 months of launch, DiVX held 10% of DVD market share. Actually, it was within 9 months.

- You said DIVX came out within 6 months of DVD being launched. Actually, it nationally launched about 1.5 years AFTER DVD, when DVD already had a large market share (this is nothing like the Blu-Ray/HD-DVD launch)

- You played DiVX off to be a different format, when everyone, including DiVX, unaniomously agrees it was a spin-of variant of DVD, basically a DRM-infused pay per view model.

- You said "two formats fighting for the consumers heart and wallet" - but you fail to mention the vast majority of consumers HATED DIVX.

- You said they fought it out for over a year, they fought it for around 9 months.

- You said "DVD did not have studio support," when in reality ALL studios supported DVD before DiVX even launched to the public, and many of those studios supported DVD long before DIVX even launched, and failed to point out that NO studio exclusively supported DIVX at the time of launch.



ALL THAT to say, my point isn't that your claim DIVX was a competing format of sorts is "bogus", my point is to say that comparing DIVX/DVD format "war" to Blu Ray/HD-DVD is bogus. It's apples and oranges and on a totally different scale. I honestly don't see how this is somehow insulting or unnecessary, as telling me to "have fun with my memories of DIVX" is a much more cutting and personal remark than any I made. I remember the situation quite well, in fact, and let's make sure we're discussing the same thing here. I don't care if you want to define DIVX/DVD as a format war - I personally wouldn't, but whatever...

I *DO* care about the DIVX/DVD scenerio as being somehow equivalent to the BluRay/HD-DVD situation - because it is not, AT ALL - not by a long shot.


My point(s) stand and are left unshaken: Your comparison of DVD adoption rates VS BluRay adoption rates doesn't take into account the delayed start of BluRay (due to the BluRay/HD-DVD format war) or the current economy. Blu-Ray can be considered to have TRULY "started" as a viable format in 2008, and by that measure, they have 8% market share 1.5 years into the "true" launch of the format. To compare the adoption of BluRay today to the adoption of DVD 4 years into DVD (in a good economy, at that) *is* a bogus comparison.

Don't worry Barry, I don't think your bogus. I think you're awesome. I just think it is an unfair comparison and that those figures don't adequately take into account the different contexts.
 
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By the time we get 'round to replacing it with HD, I'd be surprised if we weren't looking at a choice between BR and other formats.

Oh, I agree. In fact, I'd be very surprised to see Blu-Ray be as successful as DVD. I think the attitude of most consumers, even myself being the nerd I am, is that DVD is good enough. I have a smaller 32" HDTV and while I can kinda see the difference between DVD and Blu Ray discs, its not a big deal... and if its not to ME, I can't imagine it is to most people. The upgrade from VHS to DVD was earth shattering; DVD to Blu-Ray is a novelty and a nicety, but for most people, far from a necessity.

But I still think Apple should fully support it, since in the professional market, the need for Blu Ray support and delivery is certainly there, and these are Pro Apps, aren't they?

(oh yeah... I almost forgot this thread was about Final Cut Pro 7)
 
Hey folks


jut my 2 cents

I think the whole slow adoption of bluray is a symptom of a much larger issue

just a complete cluster *%$# when it comes to the adoption of HD and Digital TV.

the FCC decided no to throw its considerable weight around nearly 15 years ago and make a decision, set a date, and stick to it.

They bent under pressure from networks who said "we just cant afford to go HD, give us more time" ( mind you the TV networks where doing a whole lot better in the early 90's than they are now)

so the FCC decided to let the market decide. not a bad philosophy in the USA, land of Free market Laissez-faire government.

but.... then what i like to call "the great confusion of the late 90's" happened. suddenly the big electronics companies in there scramble to win market share came up with a bizilion different technologies which they let their ad departments market under a tra-zillion different names.

the words "Digital" and "HD" get slapped onto everything.

I have an new and improved "all digital" coffee maker for example. seriously, not only does the clock on the front have "digits" on it but under a microscope the coffee that comes out is really just a bunch of zeros and ones, who knew?

i saw a "HD" printer one time... so i asked the sales guy if it was 720p or 1080i and he told be he would have to go check.

The truth is that dvxuser is a very small portion of the populace who are ether professional producers/editors/camera guys or very big enthusiast who are well versed on the subject and very critical.

the vast majority of the populace has no idea what the words digital, HD, Bluray, 720p, 1080i, interlacing, progressive, HDMI, or any of the other acronyms or other marketing mumbo jumbo means.

so why have they not bought a bluray player, its because they don't know what one is or how good it can look.
seriously its only been in the last two years or so that my local Bestbuy has actually been feeding their display TV's an actual HD signal.

we all know that there are folks out there who bought an HD TV and pay for the HD upgrade from their cable provider and then use the yellow/red/white RCA connectors from there old TV to hook up the new one and then say "I had HD but i couldn't tell the difference"

There not stupid, there just ignorant, big difference.

whew
sorry for the rant.

later
john
 
There are like 3 conversations going on here.... so I'm just going to address them all because this thread is making me smile. :)

First, the new FCP Studio update is kind of disappointing however they fixed the biggest issue for me and that was the round tripping problems with Color. I think some people are forgetting that Color was a $25,000 program before they added it to FCP Studio 2. In my opinion it smashed the competition as far as computer based color grading goes. The addition of control surface support ...... nice. (although magic bullet looks is getting better). Blue ray support .... finally ... DVD studio pro .... blah, but they do say you have a easy way to export Blue ray H264 for third party authoring programs.... so you know they were anticipating backlash on that one.

I feel like FCP is really geared toward hollywood types and cream of the crop kinda folks. It seems like all the updates they do would benefit them and not the average video person. Walter Murch in the Coppola promotion video was REALLY stoked about those new marker features...... haha.

Also, as annoying as the speed changing tools are.... the ripple feature is nice so other clips in the timeline don't get bumped, which is critical if you have picture lock on other parts of the movie so you don't have any "accidents" and the video you sent out to other departments doesn't become obsolete. I can see their thought process on that one.



As far as blue-ray adoption goes..... I think more people will buy in once players hit the $99 dollar mark and Blue ray discs (both with movies and burnable) are cheaper. 99$ dollars is a price point that captures those "McDonalds paycheck," hey look I'm cool because I got the new gadget I can't work impulse buys. Hence if you make $7.25 an hour you can still afford one and pay rent.

Most people I know that were over 30 had just bought a DVD player by the time they announced HD-DVD or Blue-Ray (2006 or so). Most said they were gonna stick with it awhile. Having worked the phones in consumer sales at a major computer company I know that the majority of Americans keep stuff for at least 6-10 years before they upgrade. You wouldn't believe how many people keep their computer for 10 years and are still pissed they have to upgrade because it broke..... its INSANE. 10 FREAKING YEARS! So ya ... blue ray might be in trouble.
 
Sure, now I think it's something like right at 50% of households have at least 1 HDTV. But the fact that when Blu-Ray was introduced, less than 1/3rd of households even had HDTVs (and some of those had HDTVs that wouldn't work with Blu-Ray) probably cut off some early potential growth that the format is only now able to start catching up on..
Nielsen put HDTV adaption rate at 23% in Nov '08. Part of the uptake 'problem', IMO, is that HD is an answer to a question that the mainstream didn't ask and it doesn't provide anymore convenience over existing TVs and DVDs. By and large convenience, not quality, is what seems to push the mainstream to adopt new technology.


-A
 
Our Copy of the new FCS release arrived yesterday. Hope to soon give it a test run. But I got some deadlined projects that need to be done before I can play with installing the new version. Anyone else get it yet?
 
I've cut a short project on FCP7 and I have to say the ONLY new feature that stood out was finally being able to easily roundtrip to Color and back. FCP7 is as stable as 6.5 from what I could tell.
 
Mine should be here tomorrow, but I will be out of town so I won't be using it until I get back.

As for the 'Format War', I don't know the dates and specifics. All I know is that I remember laboring over choosing one or the other. DIVX may have been a variant of DVD, but tech stuff aside, consumers were put in a position to bet on one horse or the other. Most people could not get both and hedge their bets. So like BR/HD-DVD you had to choose, hoping the one you were investing in was the one that was supported long term. So, from a consumer perspective (the one I had at the time), it was very much a format war.
 
Just a thought on BR adoption vs dvd adoption.

To me, it seems that DVD vs VHS is a bit like Internet vs DVD. In other words a totally new technology with radical advantages over the prior technology. On the other hand, BR is just a logical progression of a DVD, it doesn't really offer the user much more than a DVD does, just an improved version of the same thing.

On the other hand, internet downloads offer HD etc. like BR, but also a new level of convenience. The time taken from the decision point (I want to watch a movie) to actually watching it is in the order of 1-2 mins. Physical media cannot compete with this. There are already quite a few internet based systems out there (XBox, Apple TV and others) but I think they are the domain of us early adopters at the moment, but I had a mark 1 iPod, and I remember thinking "this will really take off one day", I feel just the same way about my Apple TV.
 
Barry mentioned that transcoding avccam files is now different, has anyone worked with these kind of files on the new fcp, iam wondering how is it different now... I know that you still have to convert to quicktime....
 
If you are referring to AVCHD, it still must be ingested by L/T to pro res or AIC.

AVCINTRA is ingested as native. However, mxf files must be ingested; not simply placed in the sequence.

The ingest is pretty damn quick -- much much faster than the Panasonic AVCIntra plug in approach in FCP 6.
 
Barry mentioned that transcoding avccam files is now different, has anyone worked with these kind of files on the new fcp, iam wondering how is it different now... I know that you still have to convert to quicktime....

I'm doing my first wedding project with FCS3 now. I previously had FCE4 so I'm not sure how it compares to FCS2. Basically you transcode the files into ProRes. I'm using ProRes LT. I don't find the process very different, but it is quite quick.
 
Oh, side note. Even though Color now supports clips with speed ramps, it won't let you use a tracking vignette on them. I guess you can render the clip out and put it back into the sequence before sending to Color... but that's the old way right? ;)
 
Yep, "Baking" your clips is what that is. Exporting a new clip with the effects or compositing, and then plugging the new clip back into your timeline to replace the "old" one.

What I want to know is how does the Background Rendering work? Any sign of 64bit? Does FCP finally use all 8 cores to render???

Sure I'll find out eventually first hand... but that could be days away and I'm kinda impatient. ;~)
 
What's the state of HD movie downloading these days? The last time I looked at "720p" Apple TV in their store it was full of really obvious compression artifacts - macroblocking, gradient/color banding - you name it. *Yuck*. And the "HD" streaming from Netflix/Blockbuster I've seen is awful too (compared to Blu-ray in all cases). A good Blu-ray title on the other hand, looks *fabulous* on any of my players/screens.

So where do we stand? Am I missing something?
 
See attachment. I changed the sequence settings from DVCPROHD to ProResHQ and rendered all. Never went past "half throttle" on all 8 cores. Load was always even on all cores though. That's on a 3.2GHz MacPro.


Yep, "Baking" your clips is what that is. Exporting a new clip with the effects or compositing, and then plugging the new clip back into your timeline to replace the "old" one.

What I want to know is how does the Background Rendering work? Any sign of 64bit? Does FCP finally use all 8 cores to render???

Sure I'll find out eventually first hand... but that could be days away and I'm kinda impatient. ;~)
 

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Thanks,

Another way to monitor your system is to use Menu Meters. Free download at VersionTracker. Kinda like having a gauge dashboard for you Mac. It docks on the menu bar at the top right by the clock & Spotlight. I love it.

Well, seems to verify that It's not quite multicore ready. merely Dual processor back from the dual G5 days. I take it it's not any faster in using that amount of CPU?
 
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