Evie - Mark Harris

I meant classical in more of a lighting, framing and movement sense too. Classical for me is very heavy on dolly and movement.
 
Sprocketboy said:
The slider looks like a good investment.

Its bizarre how things play out. I rented a Sachtler Video 20+ Tripod Head for an HVX200 (overkill), and you used a 503 for a RED. I own a Bogen 503 and find it usable for pans or controlled motion shots with any camera. Its amazing that you manage to get anything decent while mounted on that head.
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Well with the 503 we never took our hands off the camera in fear it would fall over. We used a 503, 516 and a Miller 40 on this shoot. The 516 is the only one that fits in the Cinevate dolly so we had no choice. Its a little sticky with the red on it if you are trying to do a static dolly and then start to pan.
 
LOL, I knew mark was gonna post that 503 shot! Better here than on reduser.

Regarding movement, I think Mark made smart choices regarding which shots were hand held and those that were done with "classic" cinematic movement. Having the pleasure of shooting with a talented actress made it very easy for us to allow her performance to dictate where/when/how we moved the camera when handheld. Mark encouraged this organic approach and I think it worked out well.

On a side note, Aram also encouraged an organic approach.... but usually in the bathroom.
 
Arrik said:
LOL, I knew mark was gonna post that 503 shot! Better here than on reduser.

Regarding movement, I think Mark made smart choices regarding which shots were hand held and those that were done with "classic" cinematic movement. Having the pleasure of shooting with a talented actress made it very easy for us to allow her performance to dictate where/when/how we moved the camera when handheld. Mark encouraged this organic approach and I think it worked out well.

On a side note, Aram also encouraged an organic approach.... but usually in the bathroom.
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Yeah I don't know whats up with that. Maybe Marks craft services?
I just ate some steak from V-day so maybe I'm in for another round again.
 
It was definitely THE most embarrassing moment on a set that's for sure. Leah was a champ and only giggled at me when I finally came out.
 
Okay, rough cut done at 4:51 AM, Sunday. I started at 2PM Sat. Tomorrow is all about the tweaks and cleaning up! Yeeeeeikes!
 
I can't wait to see it!!!
I was up all night working on that Team Blackout edit. I had to fix the whole edit someone else did but they had a million layers and every time they moved something it had to render.
 
Beat Takeshi said:
I can't wait to see it!!!
I was up all night working on that Team Blackout edit. I had to fix the whole edit someone else did but they had a million layers and every time they moved something it had to render.
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With my monster Mac Pro, I can use UNLIMITED RT, and no render :)....Except I think when I add in some efx and color, prob not...
 
damn dude. how long was the script? I'm having trouble just editing mine down from 8 minutes. too much damn pacing... but necessary pacing. is your edit SERIOUSLY thatl long or are you just frakking with us?
 
No, it's really 20:33. Script was prob. 10 pages. But there is improv in there.

Trouble is it WORKS at this length, or close to it...Hmmmm
 
i think that's the main problem.. is that it WORKS at the length. The 6 minute cut is going to be hard to do. I don't envy you.
 
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