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nice example of what the camera can deliver in ambient mixed light.
How did the workflow work out for you?
how much captured data/conversion time? /editing workflow
Wow, love your shooting and the editing, did you edit as well? The grade I am not so crazy about, it has a washed out, mid-range image that looks flat and soft to me. Personally, I like a little sharper, more contrast and more saturated colors. But I'm not your client and I am sure your client liked the piece. Nice work.
The workflow was pretty straight forward, straight into Canon Raw app then out to prores 4444, shot around 2X 256gb cards and half a 128gb an it was transcoded in a few hours ready to cut in FCPX, I have the mac pro 64gb trashcan and seem pretty flawless so far.
Thanks for sharing. I think the feel of the grade fits the sort of old-timey approach of the event. How do you like using the camera? Do you think the 4k is totally needed?
To be honest, I do not think the footage had a huge resolution look. Sort of looked like normal 1080p material imho. This is not a bad thing at all, I just thought 4k60 would bring more of an influence.
Great work, I love your shooting style and the edit! What lenses did you use and how did DPAF work for while you were shooting?
Do you mind sharing a bit more info about your Mac Pro? What are the CPU and GPU specs and did you happen to notice what the CPU utilization was during the transcode? Did you do the final grade in Resolve or in FCPX?
Thanks for sharing!
Beautifully shot and edited! Well done. The more I see from this camera, the more I like it. I don't see any trace of harsh digital video here, just nice, smooth cinema.
To what gamma did you convert the raw files to? Canon log2? What editing systems support canon raw so far?
did you shoot with any sort of rig? shoulder rig, monopod, handheld, etc.
thanks!
F
No I have had the camera for awhile and alongside the C300mkii I'm not sure it's a big step up in image over the C300 MKII after transcode and grade etc.
Curious if you have any comment on C200, compared to C300mkII, relative to CMOS Smear (patterns in deep shadows aligned with bright highlights in the frame) and "deep" shadow noise (C300 is almost overly clean in mids and brighter tones, but can see some ugly noise in deepest shadows, often exacerbated by canon's supplied LUTs).
From the footage I've seen so far, CMOS smear (only an occasional problem with my C300II) is nonexistent on the C200. Can you Confirm? Relative to noise, the C200 seems a little noisier overall, but in a nice way, and doesn't seem to have the blocky shadow noise the C300 can occasionally see. Again, is does this line up with what you are seeing?
Barry