DSLR gains from the Nikon D7000: cross your fingers

Im with Zim on this one. I am a film student and use my d5000 for my work. It is annoying having to find the right area to expose to then auto exposure locking before I shoot. If this cam gets rid of that plus lets me get 1080 plus just a little better video Im in. I mean I have made stuff that rocks some of the t2i stuff Ive seen (not too be cocky). When it comes down to it, compression and bit rates are not as important if you take the time to really make good art and not just another generic thing.
 
I have numerous friends who bought a Canon for video and have been struggling with adapters to use their Nikon lenses or given up and sold off their Nikon stuff to get Canon stuff.

There is no reason to "struggle".

ALL of my Nikon lenses have the fotodiox adapters and they work well on both my 7d and 5d. Even on this massive 50-300mm:

7d.jpg
 
I can second McGee's experience - get the Fotodiox ($70ish) vs. the $20 deals. It's a much tighter fit.

The only "struggle" I've had: it took some time getting used to Canon's "reverse twist" bayonet - may take a few days to adjust.

And, getting the adapter off your Nikon glass is picky - there is a tiny lever to push. If you can afford it, get one for every lens, like you would a focus gear.

That said, I can't imagine someone giving up on it - it's very simple, and it's mechanical, not, like software or a new philosophy. Though the cheap adapters have some "play" that you might see as a "jump" when adjusting focus.
 
In any case Nikon is going to sell a ton of these...its features for still photography make it a direct competitor to the 7D, but it only costs $1200, and Nikon stills have always looked better (IMO and I know many others out there share it.) Good stuff.
 
im just putting my cynical cap on.. i have no brand loyalty.
would love to be proven wrong about the codec. if it has b-frames
19 mbps isnt really enough so im really doubtful

but im shifting to m4/3, so it doesnt really bother me :P
 
Last edited:
im just putting my cynical cap on.. i have no brand loyalty.
would love to be proven wrong about the codec. if it has b-frames
19 mbps isnt really enough so im really doubtful

"Brand loyalty" in this world can also translate to "lens investment".

As for codecs, b-frames, all a that - will buying a D700 give me an upgrade in picture quality, useability, flexibility over what I use now? That's what it comes down to.

Sadly, I'll still have to keep a canon around for 60p slowmo - waiting for some real-world looks at D7000 footage though.
 
UPDATE: Early results say YES! See it here: (ISO 2000-5000!!) http://www.vimeo.com/15894774

ps...It's official...I will be selling my T2i. It has been a GREAT camera...worth every penny...paid its self off easily...ALL OF MY GLASS JUST GOT UPDATED BY THE D7000!!!
 
I just wish that there'd hurry up and be a test where both camera's sharpness were turned down, both cameras had close-as-possible color settings applied, both cameras using the same lens (heck, why not?), and of coarse, both cameras having same white balance and ISO. So far, I've seen "simple tests" where the new Nikon blows the Canon's out of the water for sharpness quality (you could actually semi-read street signs and all that with the Nikon.), but the thing is, the Nikon could have been set to 4 sharpness, Canon set to 0, who really knows? The test I saw had no sort of details accompanying it.

Personally, I find it hard to believe that one camera truly would end up being better than the other, I just think that this camera is a miracle for people who have invested in Nikon over the years. Other than that, I'd personally want to see some rigorous tests before I even think about switching. Thing is, that doesn't mean I'm satisfied with the Canon cameras at all, I think the sharpness to them are horrible, and the noise isn't much better. If Nikon could improve both those areas by 25%, I think it'd seriously make me consider switching. Otherwise, prolly not.
 
Well, this is what i´ve seen so far:
- i think 5D resolves more detail than the d7000
- d7000 tone curve is more filmic (more natural colours)
- nikon has more dynamic range (in highlights and shadows)
- canon has less aliassing
- I see less compression in the nikon but I need to test more.

www.macgregor.autoecstasy.com/d7000/01.wmv

There is a lot of information hidden in the highlights from the d7000 mov files. I noticed it by looking at the waveform. When pulling this down i got some ugly noise which is normally not there so I wonder if quicktime is clipping information above 100IRE (239) while the camera is probably using the full 256 bits.
 
that's a lot of aliasing.
i didn't see much in the other videos. weird.
macgregor, what did you use for kore? red? great images!
 
It´s a pity that active D lighting doesn´t work on video mode.

Skew still sucks on the d7000 but it´s at least better than in the 5D.

kore- red1
 
Last edited:
seriously pass on this generation of Nikon HDSLR's. A dozen reasons i can think of off the top of my head.
 
This camera is insane.
Dynamic range and colour reproduction are amazing.
Compression is there but it´s not annoying. No weird noise patterns and noise behaves more like film grain.

Now, it seems there is the same problem with how QT transcodes the files (similar to when the 5D was launched). QT appears to be clipping the levels below 16 and above 239 because with heavy curves I can recover a lot of highlight and shadow detail that was invisible at first:
look for example at the hood and around the tyres.
 

Attachments

  • Image4.jpg
    Image4.jpg
    58.1 KB · Views: 0
  • Image3.jpg
    Image3.jpg
    50.7 KB · Views: 0
The aliasing on the cars in that first clip was pretty bad, how did you have the sharpness set on that one?

The high ISO looks good, how does 2000 ISO look compared to the 5D? From what I saw from the D3s high ISO on the Nikons looks more grain like rather than noise like as it does on the Canons. I'm trying to hold out for a full frame Nikon, there should be a D700 replacement early next year.
 
I´m having a lot of fun so I´ll try to elaborate the problem better:

clip "raw" This is how it looks when opening the original file.
clip graded (curves, levels, a bit of film grain and done). Look how much info there was hidden there!!!! And it´s perfectly usuable!​

Thanks so much for posting that! I updated the first post to include the fact that it looks like more dynamic range (even if only slightly more) than we are used to seeing with DSLRs. Thanks again!

PS...would you mind shooting and posting an example of ISO 3200? This being one full stop better than the 7d and T2i. (No flame here...I own the T2i, and I'm just wanting a better idea of what I can expect) Thanks for posting what you have already! :)
​
 
Back
Top