Aaron Marshall
Well-known member
More thoughts on temps
More thoughts on temps
Or you can have the attitude of, "Hey I'm going to make the director think the original temp music didn't fit as well as the stuff I'm tailoring.". If the temp fits better, get it licensed. It just means less brain rack for me.
Working without temps is great, but even then you will still be going back to your own personal references and influences. Isn't that kind of like self temping no matter what? There's a freedom there. Ideally I would prefer to work without temps, but I'm pretty open. Whatever floats the boat.
More thoughts on temps
Edgen said:And... Temp Scores. What do you think of those? Personally, I think they hinder the entire process because the director/editor gets so used to the temp music, its nearly impossible for them to let go. Plus, it's hard as heck mimick a massive budgeted orchestral ensemble.
Or you can have the attitude of, "Hey I'm going to make the director think the original temp music didn't fit as well as the stuff I'm tailoring.". If the temp fits better, get it licensed. It just means less brain rack for me.
Working without temps is great, but even then you will still be going back to your own personal references and influences. Isn't that kind of like self temping no matter what? There's a freedom there. Ideally I would prefer to work without temps, but I'm pretty open. Whatever floats the boat.