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A99 doesnt have live view histogram neither
Seriously, though, $3100 for a D600 plus ninja2 sounds like a really sweet deal: full frame sensor with (seemingly) lots of DR and good detail, sending 8-bit 422 to be recorded on Prores, plus a 4.3" 800x480 field monitor. It seems you'd have to use manual lenses exclusively, or fight that dumb aperture-setting thing. Plus, paying $700 more for the A99 would free you from this and give you 1080p60.
Seriously, though, $3100 for a D600 plus ninja2 sounds like a really sweet deal: full frame sensor with (seemingly) lots of DR and good detail, sending 8-bit 422 to be recorded on Prores, plus a 4.3" 800x480 field monitor. It seems you'd have to use manual lenses exclusively, or fight that dumb aperture-setting thing. Plus, paying $700 more for the A99 would free you from this and give you 1080p60.
Yep, looks pretty much like a full-frame version of the D7000 to me. So far, I'm not seeing a compelling reason to upgrade.Nikons digitaltutor movies (http://www.nikondigitutor.com/eng/d600/index.html) for the D600 pretty much confirms that aperture has to be set before entering live view, just like on the D7000. Also no sign of a live histogram during live view.
Nikons digitaltutor movies (http://www.nikondigitutor.com/eng/d600/index.html) for the D600 pretty much confirms that aperture has to be set before entering live view, just like on the D7000. Also no sign of a live histogram during live view. I really thought Nikon had learnt a little about what movie shooters need since the D7000 was released two years ago, and the D800 showed them focusing more on video. But this is a really, really strange decision on Nikons part not to include such important workflow features. Are they trying to protect their D800?
While Sony is bringing out 1080 60p, focus peaking, clean HDMI and XLR connector kit for their a99 (although at a higher price), Nikon is taking a step back in movie features. First impressions of the video quality seems to be very good, and an improvement over the D800, which just makes the loss of important movie shooting workflow features even more frustrating.
Likely there will be two years before we see new full frame cameras from Nikon, and I sure wish they had pushed it a little further with the D600. Now if only I didn't like the Nikon colors so much ...