Brief encounter with an F3 today....

Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.

Kenyon KS-8

The blackbird, or any other hand held is useless in a helicopter.

You need one with a gyro.
 
RyanDeFranco; said:
By "annoying" I meant the Nanoflash, which will say its recording even when there's no card in it, and which you have to press record on seperately from the camera. The Alexa is way out of my range, but at the workshop that's being held in NYC tomorrow night, I'd be willing to bet you hit "record" and neither of those two problems are present.

I am very surprised by your comments.

The nanoFlash will not go into record mode without at least one CompactFlash card, with room left on it.

And it will not go into record without a valid video source, just as one would expect.

And one can setup the nanoFlash to record on Incrementing Timecode, if one uses Record Run timecode.

And, depending on the camera, we can trigger the nanoFlash so when you press the Record Button on the lens, the nanoFlash starts recording.
 
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Timur,

With your experience with the EX1/ EX3 etc., how does the resolution of AF 100 compare with the EX1 / F3.

The AF100 is close to the resolving power ofthe EX series. It's just soft enough to look organic, but still sharp enough to please resolution freaks. For reality, documentary, and commercial work, the EX3 is about the best you can get for low budget work. For narrative, i would prefer the AF100's sharp but still organic image hands down. The AF100 looks like a movie. The EX cameras look like life.
 
Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.

If you are thinking about a Steadicam in a helicopter. Don't do it. Experienced operators will tell you not to. In Steadicam courses they make a point of telling you to not do it. Use gyros as mentioned. Kenyon Labs are the defacto standard for gyros. KS-8 's are big. You could probably get away with the 6's or the 4's but they are expensive (as are proper Steadicam rigs). Gyros require servicing every couple of years to replace the helium inside them and of course you have the power and gyro mount and bracing to deal with.

There was a comment about HD-SDI and being compromised with one port... Most bits of hardware that are used on HD-SDI ports have pass through ports on them so they can be daisy chained. Check a Marshall monitor. Even the recent Small HD monitor that seems to be popular with low to medium-low budget shooters has a pass-through HD-SDI port. NanoFlash has a pass-through port as well.
 
Here's a very nice F3 piece shot by DP Nigel Ikam. You can see some hot fleshtones, but this was very heavy duty contrast in parts. An issue for me would be the lack of simultaneous video outputs for monitoring and external recording with this camera.

http://vimeo.com/17392465

wow, the colors and contrast are amazing. I am blown away with the quality of the blowouts..
 
If you are thinking about a Steadicam in a helicopter. Don't do it. Experienced operators will tell you not to. In Steadicam courses they make a point of telling you to not do it.

Thank you Andrew I now know ten times as much as I did about doing it right--but I was referring to CMR's original design, a gyro stabilizer.

Rich started work on his dream project but soon realized the development costs with these type of parts can get extraordinary.... hence the blackbird, no gyroscope, counterweight and damn good design. start-up capital.

Ever since reading that I've been looking forward to stress-testing the original pride and joy gyro... airborne might be the extreme, of course.

But when you come home from a long imperfect day running cable on a passionless set, drive the truck back 2 hours in the dark there's really nothing funnier than the image you guys had of me--desperately clinging to a handheld blackbird, hanging out a helicopter, wind sending the whole rig parallel to the ground.... i got to smile twice, and i wasn't expecting to at all.

helicopter+3.png


(ps us kids might be dumb, but we're not that dumb.)
 
Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.

Also, Timur, I'm sorry if I wasn't clear in my first post--I meant to say that all cameras will end up as doorstops, from DSLR and AF-100 on up. Wasn't worded very well.

Here you go, from a local shooter, Adam Boozer: http://vimeo.com/16511916 and http://vimeo.com/16517250
 
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