Alpha Beta Omega
Veteran
That's very impressive. No noise, sharp and pleasing. A bit blown but it doesn't distract.
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Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.
That footage looks amazing. Its so crisp. I love it.
RyanDeFranco; said:By "annoying" I meant the Nanoflash, which will say its recording even when there's no card in it, and which you have to press record on seperately from the camera. The Alexa is way out of my range, but at the workshop that's being held in NYC tomorrow night, I'd be willing to bet you hit "record" and neither of those two problems are present.
Timur,
With your experience with the EX1/ EX3 etc., how does the resolution of AF 100 compare with the EX1 / F3.
Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.
Here's a very nice F3 piece shot by DP Nigel Ikam. You can see some hot fleshtones, but this was very heavy duty contrast in parts. An issue for me would be the lack of simultaneous video outputs for monitoring and external recording with this camera.
http://vimeo.com/17392465
If you are thinking about a Steadicam in a helicopter. Don't do it. Experienced operators will tell you not to. In Steadicam courses they make a point of telling you to not do it.
Nice! Which stabilizer, any advice to offer? Trying to plan a shoot with a small plane soon, wish the CMR stabilizer was ready but need to find something else instead.
Also, Timur, I'm sorry if I wasn't clear in my first post--I meant to say that all cameras will end up as doorstops, from DSLR and AF-100 on up. Wasn't worded very well.