I definitely agree that Jorge Noa deserves applause for his work here. The girl had a tough part to sell, because she spent a fair amount of time shocked or hysterical, and that can come off as over the top. The psychiatrist... I think my problem there was that he seemed almost *too* natural. I don't know whether to blame it on acting, writing, or editing, honestly, because it just seemed like the lines needed to be tighter, less laconic.
Production wise, this was pretty air tight, good job. I had serious issues with the dialogue between the assassin and the girl in their warehouse face-off-- Some of it was repetetive, and a lot of it was cliche.
I think overall it was a very professional job on a film-making level, and captured a narrative arc very well for such a short piece. I wasn't enthralled throughout, but I definitely admire a lot of the work done here.
Production wise, this was pretty air tight, good job. I had serious issues with the dialogue between the assassin and the girl in their warehouse face-off-- Some of it was repetetive, and a lot of it was cliche.
I think overall it was a very professional job on a film-making level, and captured a narrative arc very well for such a short piece. I wasn't enthralled throughout, but I definitely admire a lot of the work done here.