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When is this dang thing gonna be released? Have they given us any clues?
"this will more of a camera than the FS7"
?.....I have trouble going with that statement.....until we see the production version and can confirm or deny there is no "Black Sun" or "Purple Sun" or other issues, it's hard to say it's more of a camera than the FS7....and don't get me wrong, I'm hoping there is no issues and this camera will be a success.....
Jim Martin
EVSonline.com
And others need to ease up complaining on a forum that BM likely doesn't even look at. You all made your point that you are frustrated. You still didn't answer my question of how this affects your life and creates a major problem for you? I'm not sticking up for BM but stating facts that a camera delayed by a few months is not the end of the world. People are still going out and buying other cameras and the production world lives on. This is only an issue in your mind."this will more of a camera than the FS7"
?.....I have trouble going with that statement.....until we see the production version and can confirm or deny there is no "Black Sun" or "Purple Sun" or other issues, it's hard to say it's more of a camera than the FS7....and don't get me wrong, I'm hoping there is no issues and this camera will be a success.....
Jim Martin
EVSonline.com
I'm guessing you're an unhappy owner? As alohype said above, when you jump in with a company that has never built cameras before, you're expectations have to be realistic. From the start I expected it to be a couple of years at least before they figured out their workflow and refined their manufacturing to work out the kinks. And that's exactly why I didn't buy early.
That being said, I think black magic is really pushing to make their customers happy. They're one of the only companies out there trying to give shooters exactly what they want: Pro features in an affordable body. I can respect that
A7RII has an oversampled 4K, much like F65, albeit with fewer "over" pixels. FS-7 doesn't, making, at the very worst, the situation where A7RII beats FS7 on resolution and, off what I have seen, it may be superior in color science as well. FS7 has superior codec/bitrate but one can run HDMI out to an external recorder (which are coming down in price as well) and record in ProRes. Plus, the auto focus on A7RII (with native E-mount AF lenses) is far superior as well.The A7RII absolutely does not compete with the URSA. FS7 - definitely.
A7RII has an oversampled 4K, much like F65, albeit with fewer "over" pixels. FS-7 doesn't, making, at the very worst, the situation where A7RII beats FS7 on resolution and, off what I have seen, it may be superior in color science as well. FS7 has superior codec/bitrate but one can run HDMI out to an external recorder (which are coming down in price as well) and record in ProRes. Plus, the auto focus on A7RII (with native E-mount AF lenses) is far superior as well.
BM cameras have no OLPF. This causes skin texture problems, as the equivalent of crude, heavy handed sharpening is baked into every single frame. Not really professional, as not many pros want to make their talent's skin look worse than it is. You can get a 3rd party OLPF, but this makes your bokeh all smeary like an old 35mm adapter.
HUH? BMD gets a lot of stuff wrong but there skin tones/ textures is not one of them.
I addressed the skin tone/texture in that first post but I don't agree with what he said about the texture but that is a matter of taste. But to say professionals wouldn't use them is flat out wrong.