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OK, I thought you were saying that the Pocket Camera's image is soft when compared to the 50Mbps recording on a GH3. Which is why I questioned your statement.
From what I understand, the camera will take 64GB cards that are currently just over $70 a pop. Yes, less recording time but with ProRes (HQ) at 220 Mbps I'm expecting the camera to return very decent footage.
LOL! BMD says "Shipping late July". All I can think of is "fool me once, shame on you. Fool me twice...."
two things to take into account:
* the pocket BMC has a 2.9x crop factor; on this sensor, the Voigtlander 17.5mm f/0.95 becomes equivalent to a 50mm f/2.8 on full frame, in terms of FoV and DoF; somebody will have to test how bad the distortion is, but the samyang 8mm fisheye may be the only cheap option for a wide angle on the pocket BMC
* the production BMC does not record RAW initially; and when it does, the bitrate will be astronomical, even compressed (18 minutes of footage on a 240GB SSD)
I still think it's an amazing and revolutionary announcement, but just to put things into perspective...
Throw the speed booster on the Pocket, Metabones is releasing the MFT version this month.
What? Only 12 stops of Dynamic Range!! Fogetaboutit.
J/Kidding...
From here: https://twitter.com/danielogarcia1/status/321087295606386691
Pocket cinema HD RAW, s16, $995. Production Cinema 4k, s35, $3395.
Global shutter!
See your 12 stops of DR and raise you Global Shutter!
Claiming 4K and recording to a 4K medium aand resolving 4K are all different things, plus neither you nor I have seen what this thing records. WHat do we really know about image quality?
What? Only 12 stops of Dynamic Range!! Fogetaboutit.
J/Kidding...