Peter C.
Veteran
Yes slider is better for close-ups because the gimbal can't solve up/down side/side or forward/backward swaying of my arms.
But that's the nature of the beast of doing a continuous take. You're going to be on one rig the entire time (although I've thought about having a monopod or light stand on the bottom of my gimbal or ready to connect when I set down for a close-up. But ultimately I think it would cause more problems than it would solve, so I'm just focusing on maximizing stability on the gimbal.)
This is the recent video I shot where I finally feel like I can adequately magnify details on this set-up due to zooming into 24mm + using 2x clear image zoom. The only problem is that zooming the lens on my Ronin-S with focus motor is a bit rough and I wish I could find a zoom rocker to work with it. I applied a bit of stabilization throughout. There are a few edits where I had to fix stops/starts of specialists talking or where I transition between different types/amounts of stabilization, but it's supposed to FEEL like a live shot and the client was very pleased - https://vimeo.com/501597713/a920698c57
Nice job. Is it difficult to use the camera/gimbal shooting vertically? Do you have a vest or are you holding the gimbal the entire time? I don't think I'd like holding a gimbal for more than a couple of minutes. Good staying out of the reflective items. That motorized lens controller works well for that type of work because it allows those nice detail closeups while being able to pull back wide for the walk and talks. High quality video without noise.



