Well, what's obvious is that this camera is different.
A lot of you folks are breaking new ground with how one works with the HVX200, and this forum has been invaluable for harvesting cool new ideas about fulfilling the potential of the camera and our potential for filmmaking.
Could we, as a community of sorts, create a "best practices" consensus around workflow? And distill that consensus into a sticky that continually improves, as new technology arrives on the scene, or new techniques are invented?
The forum has amazing depth and breadth, which is great, but also makes it somewhat unwieldy.
Some of the intriguing questions revolve around start-to-finish workflow and archiving for:
- the 4GB P2 card
- the 8GB P2 card
- the FS-100
- direct to laptop (i.e. PC or Mac, and with the PC, which models allow DV Rack to suffice for focusing in lieu of a Marshall)
- archiving on hard drive? tape? DVD? Blu-Ray?
A lot of you folks are breaking new ground with how one works with the HVX200, and this forum has been invaluable for harvesting cool new ideas about fulfilling the potential of the camera and our potential for filmmaking.
Could we, as a community of sorts, create a "best practices" consensus around workflow? And distill that consensus into a sticky that continually improves, as new technology arrives on the scene, or new techniques are invented?
The forum has amazing depth and breadth, which is great, but also makes it somewhat unwieldy.
Some of the intriguing questions revolve around start-to-finish workflow and archiving for:
- the 4GB P2 card
- the 8GB P2 card
- the FS-100
- direct to laptop (i.e. PC or Mac, and with the PC, which models allow DV Rack to suffice for focusing in lieu of a Marshall)
- archiving on hard drive? tape? DVD? Blu-Ray?