MojoTrancer
Well-known member
WilderWorks said:I like that you used sci-fi to tackle some troubling psychological issues, particularly the intersection of love and possession.
As has probably been mentioned, there were some sound issues (his dialogue has a distinctly different ambient hiss than hers). The clean sound of the score actually made it more apparent.
A few of the early shots hung too long; we weren't yet far enough in the story to be haunted by what we were seeing, so the shots needed to be a little more dynamic, or perhaps change a little more frequently. In particularly, I'm thinking of the shot of him at his computer keyboard, just before the fireplace shot. A bit too long with no new visual information there.
I liked the build of the disturbing imagery; I think you really found your footing once things turned dark. However, I found the line about knowing she could love because she could hate a little on-the-nose. Perhaps arrive at that point a bit more subtly. Your message is inherent in your story, you don't need to over-sell it by directly stating it. I know Sci-Fi hates to be subtle, but you've got enough, you could safely depend on subtext a little more, I believe.
Overall, a troubling film, which means an effective one.
Thanks for your comments! I agree with much of what you said. If it helps, I'm not too crazy about the "because now I hate" dialogue either. It is probably one of the things I would change.
I agree there needs to be more subtelty in sci-fi. I'm working to make it more a part of my projects.