GH4 audio bug discovered

...I want the Limiter, but NOT the AGC circuitry.

I'm disappointed that Panasonic calls it a Limiter if it's actually AGC. There is a difference, and the terms are NOT interchangeable. The former will only reduce the signal to prevent clipping, the later will both raise and reduce the signal to reduce the dynamic range.
 
This is what you guys need to focus on. The VW-VMS10 is listed as an accessory in the GH4 manual. Therefore they cannot use the connector as an excuse.


 
I don't think so. It doesn't state that it has DC Blocking Capacitors. The GH4 outputs voltage for powered microphones (and don't confuse this with phantom power). If you don't deal with this output voltage (block it), your audio will likely buzz because the device you are plugging into the mic jack is shorting out the output voltage.

Buzz is the least of the worries. What about the possible damage by shorting out the camera's output voltage power supply. You wouldn't plug in a "shorted" coffee pot into your kitchen counter receptacle without expecting a "buzz" when you touched the pot to pour...

It says on the website: It incorporates passive components which provide impedance matching and DC blocking; allowing a wide variety of microphones to be used with the device.

http://www.bhphotovideo.com/bnh/con...L_q_qvin74CFc5ffgod_gkASA&Q=&is=REG&A=details

Isn't that the DC Blocking Capacitors your talking about?
 
0011 3.5mm mic in cable attached / not connected to beachtek / no headphones / level set to -12

Hi Ed,

Here's a really quick check of your file 0011.MTS, which looks perfect to me. It's showing a noise-floor better than -63 dB, which is what I've seen with my GH3 camera, my HMC-150 camera, and another GH4 camera. Looking at this dB RMS display, the loudest audio in your recording is below -63 dB RMS, which gives you a clean 63 dB of dynamic range to work with. This is about as good as it gets for DSLR cameras. I will try and test the rest by Friday.

Clip 0011.mts dB RMS Levels.jpg
 
Yes, at -12dB the buzz is the least objectionable, and workable in real life situations most likely. I can still hear it though (sorry- I just can't help it: Hi my name's Ed and I'm an audio peeper)...
 
Yes, at -12dB the buzz is the least objectionable, and workable in real life situations most likely. I can still hear it though (sorry- I just can't help it: Hi my name's Ed and I'm an audio peeper)...

...I have a hard time believing that you can hear it, as anything below -60 dB RMS is inaudible in normal listening conditions. At -60 dB RMS most people will hear absolutely nothing at all. It's only when you either boost the audio levels in post beyond the -60 dB threshold or over amplify the recording in playback by setting your headphone or audio monitor volume too loud, that you start to hear the noise-floor.

The typical ambient noise level in a very quiet empty household or office room is going to be somewhere in the range of -40 dB to -50 dB RMS, so we are talking about hearing sound that is 13-23 dB below the ambient noise of a very quiet empty room.

The GH2 / GH3 / GH4 mirrorless cameras have one of the lowest noise-floors for cameras in their price range. Canons and Nikons often have noise-floors that are 10 dB or more louder than these Panasonic cameras, and most portable low cost audio recorders are only marginally better with noise floors between -66 dB RMS ( Zoom H4n ) to -75 dB RMS. ( Tascam DR-40 ) If you can hear audio at these levels then you have truly exceptional ears.
 
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I don't think that having the headphone volume turned to the default setting on the GH4 is too loud. At -12db I could still hear it when played back in camera. I can't control what people believe. Like I've said before (a few times now), it's subtle at the -12dB setting and so for many, a non-issue. I use Sennheiser hd280 pro headphones to monitor audio from my cameras. They're closed type and isolate outside sound very well- and they allow me to be very critical.

Am I being too critical? Maybe, and maybe not. I think people just can't get their heads around how I could return mine over this while so many are clamoring for it. I don't like the buzz, and I don't like Panasonic's FB response. I am a consumer, and the way I can voice my opinion is where- and where I don't, spend my money.

I had a limited return period, and am hoping that Panasonic will make a fix, be it hardware or firmware. But if they don't and leave it as-is, I'll probably re-order once I know I won't be missing out on that possible fix. The camera is just too good otherwise. And I'll probably learn to live with the buzz (if I get another one that exhibits it). I learned to live with my AF100's highlight handling :)
 
Ed, I can hear it as well (with the basic in camera settings), so it's not just you. If I could return mine, I would do it, but at this point I think it's too late, so I guess I'll have to deal with it. I don't understand how panasonic can be so ignorant/useless to be honest. Their response just didn't make sense, at least to me. If I had Facebook, I would have definitely written a long response to them (maybe I should make a Facebook account).
 
It says on the website: It incorporates passive components which provide impedance matching and DC blocking; allowing a wide variety of microphones to be used with the device.

http://www.bhphotovideo.com/bnh/con...L_q_qvin74CFc5ffgod_gkASA&Q=&is=REG&A=details

Isn't that the DC Blocking Capacitors your talking about?

That's an interesting find. Maybe panasonic was trying to raise the bar for the typically consumer 3.5mm jack- by moving to TRRS. Isn't it better than TRS because the right and left channel has it's own separate ground? This cable is mono- but I terms of stereo mics using this jack.
 
At -12db I could still hear it when played back in camera

What's odd for me is that the GH4 recording is performing exactly the same way a recording with a GH2 or GH3 camera would, in that the actual recorded noise-floor is essentially identical, so we are getting the same 63 dB of clean audio that we would with either of the previous GHx cameras. ( or even my HMC150 camera ) To be able to hear anything at this very low audio level is surprising.
 
What's odd for me is that the GH4 recording is performing exactly the same way a recording with a GH2 or GH3 camera would, in that the actual recorded noise-floor is essentially identical, so we are getting the same 63 dB of clean audio that we would with either of the previous GHx cameras.

Clean? That's the crux of this whole thing I guess. There are others here and in the FB thread that might disagree that their GH4 is recording the same as their GH3. Perhaps your camera doesn't actually exhibit this issue? Can you post an example from yours? No-one here who says they don't hear it will post an example from thier "clean" GH4... properly setup to hear it.

1) hook up a mic with a 3.5mm jack, and turn the mic off
2) hook up headphones
3) turn your headphones vol to med (10)
4) turn your mic input level to default (0dB)
5) record a file in manual movie mode
 
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Clean? That's the crux of this whole thing I guess.

When I listen to your 0011.MTS recording ( and eliminate the audio blip at the start of the recording ) I hear absolutely nothing, with my headphone volume set so a 1 kHz test tone at 0 dB sounds very loud but not ear-splittingly loud. When I check the audio meters for your recording ( the loudest sound in the recording is listed at the top of the meters in dB RMS ) the peak audio is quieter than -63 dB, with a range that extends down to -66 dB RMS, so the audio meters are confirming that nothing louder than -63 dB was recorded. This is exactly what I see when I record with my GH2 and GH3 cameras, and my HMC-150 camera.
 
Tested my GH4, I have the same problem.

The buzz is faintly present on the onboard mic, though it required locking the camera in a basement closet to get enough isolation to hear it.

Aw sh*t,

That's where I do all of my recording. Deal breaker....... camera's being returned. I mean if you can't record in a closet, where can you.....:furious3:
 
Aw sh*t,

That's where I do all of my recording. Deal breaker....... camera's being returned. I mean if you can't record in a closet, where can you.....:furious3:
We get your point- this is not a real world situation. This is just a way to facilitate knowing whether or not you have the issue Mr. Smarty Pants :cheesy:

I think some people don't want to admit that the GH4 has a weakness. It's the gear right now, so it can create a fanboy mentality where it's infallible. It's ok if you camera does this, if it's not an issue for you- no problem. At -12dB in real world shooting you'll probably never hear it. You don't have to follow this thread. No camera is perfect, each one has some weakness that can be worked around. I myself have kind of mellowed to this issue since I first learned about it- if Panasonic doesn't change anything I'll re-purchase and work around it. This is minor compared to its many many strengths.
 
At -12dB in real world shooting you'll probably never hear it.

...I doubt we'll ever see this the same way, but as I've stated previously I think the issue you are experiencing is modulation of the GH4 noise-floor audio, which should never be an issue as the noise-floor is never meant to ever be heard. A simple fix to eliminate ever hearing the noise-floor modulation is to use a noise-gate that will truncate all recorded audio from just before the noise-floor and lower. So in the example below I've set up a noise-gate to remove any recorded audio quieter than -62.5 dB, which will remove the noise-floor on any GH4 audio recorded at the -12 dB setting.

You would need to do some tests to figure out where to set the noise-gate threshold for other camera audio settings, but it would not take long to build a complete set of noise-gate filters for every audio level of the GH4. ( I think it's still a total of 19 increments for the GH4, just like the GH3 )

NoiseGate_02.jpg

NoiseGate_01.jpg
 
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