It's the output of it. Export from Premiere to After Effects as a .dpx Image Sequence, then from AE do a final export as H.264 with a CBR of 45.
No, you have to use FCPX. It's the only way.
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It's the output of it. Export from Premiere to After Effects as a .dpx Image Sequence, then from AE do a final export as H.264 with a CBR of 45.
LMAO!!!! hahahaNo, you have to use FCPX. It's the only way.
It's one way.No, you have to use FCPX. It's the only way.
What exactly is this workflow meant to achieve versus exporting direct out of Premiere Pro?It's the output of it. Export from Premiere to After Effects as a .dpx Image Sequence, then from AE do a final export as H.264 with a CBR of 45.
Will be excellent quality. Watch the short film Copelandia, That is exactly what he did. The quality is excellent.
Just an ingredient that Luke Neumann (Director of Copelandia) usesWhat exactly is this workflow meant to achieve versus exporting direct out of Premiere Pro?
Incidentally a bit rate of 45Mbps is right at the edge of the Blu-ray specifications of 48Mbps maximum for total Audio & Video with 40Mbps maximum video so unless the audio is 5Mbps that will be outside Blu-ray specifications. It's going to be problematic playing on a domestic Bl-ray player except as a pressed disc rather than burned.
I rather like the idea that the video shows that DSLRs CAN take pictures that have everything in focus, when it's needed. Something sadly lacking in most videos we see!
What he actually said was:He also mentions that the Glass you place in front of your lens is more important than anything.
Joseph Kahn's twitter said:What you put in front of a camera is more important than the camera itself.
What he actually said was:
BIG DIFFERENCE.
You take a pretty good, dancing like crazy, in a good location at sunset with lots of lighting and most cameras will look good.
dont forget this...not 5d but 7d. Looks great to me https://vimeo.com/23026984