AG-HPX170 - Is It Real

David Saraceno

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Staff member
Just wondering if anybody knows anything about this cam that is being reported as a smaller DVCProHD cam?

I know NAB is tomorrow, but it is still today.
 
True. THis might be a better choice than the SD-9. I"m holding off for a bit on buying that... atleast till tomorrow. I"m more excited about this and if it shoots P2, is small and lightweight with more slow-mo options and good in low-light and around 2K-3K then it's going to be a huge seller. IF it's that price I'd buy two and to that would compliment my HVX so well. This is all contingent upon it being CCD. CMOS just sucks and has given me nightmares for weeks.


Cheers David
 
I'll tell you in about five minutes. I'm reporting from the Panasonic press conference, so I'll update you on whatever gets announced.
 
why does the 170 has 4:3 mode ???? does it mean that i has a tape deck and does SD ??? Is this cam also ntsc/pal friendly ?? 60/50 hz ?
 
Exactly, iLauzirika.

Of you guys noticed you do have an option to frame 4:3 with the HVX. I wouldn't doubt that it shoots an ultra high-quality 4:3 straight to P2 card which will make anamoprhic shooting possible.
 
The Panasonic AG-HPX170

The Panasonic AG-HPX170

http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&catalogId=13251&itemId=240664&modelNo=Content04102008125519917&surfModel=Content04102008125519917

PANASONIC DEBUTS AG-HPX170, A NEW FULLY
SOLID-STATE P2 HD HANDHELD CAMCORDER

** Records in 20 HD and SD Formats, Offers Benefits of a Tapeless Workflow **

LAS VEGAS, NV (April 13, 2008) – Panasonic unveiled here at NAB the AG-HPX170, a fully solid-state P2 HD handheld camcorder. A full production quality tool, the solid-state handheld camcorder enables high definition and standard definition recording, the widest zoom lens in its class, and a HD-SDI interface for connection to baseband production and distribution infrastructure, all in a lightweight 4.2-pound body.

Fully solid-state, the two-slot HPX170 is a 1080p capable camcorder that offers the compelling advantages of P2 technology including: no moving parts unlike tape, hard disk drive, or disc-based systems; instant random access to recorded HD or SD content; a faster IT compatible file-based workflow; and the ability to operate in harsh environments with resistance to temperature extremes, shock and vibration.

Building on the success of the AG-HVX200, the HPX170 is equipped with new advanced 1/3-inch 16:9 3-CCDs and a high-performance digital signal processor with 14-bit A/D conversion and 19-bit processing to deliver broadcast-quality, independent frame recordings. The HPX170 offers a 13X Leica Dicomar zoom lens with a 28mm wide-angle setting (the widest in its class) and a cam-driven manual zoom for smooth, easy and precise operation. For added flexibility, the camera provides auto or manual focus and iris.

The multi-format camera records in 20 HD and SD formats; in a variety of 1080i and 720p formats in DVCPRO HD, in 480i in DVCPRO50 and DVCPRO, and in 480i in DV. It’s switchable between 16:9/4:3 aspect ratios. The HPX170 offers a 20-step frame rate selection in 720p mode for variable-speed shooting in the 12fps to 60fps range to acquire fast- or slow-motion in-camera effects. For added creative flexibility, professionals can select from a variety of advanced gamma functions and settings including a CineGammaTM mode.

With its two P2 card slots, users can record up to 64 continuous minutes of the highest quality DVCPRO HD recording using currently available 32GB P2 cards. Record times will double with the release of Panasonic’s 64GB P2 card in the fall. Other user-friendly recording modes include hot swapping for non-stop recording, loop record, pre-record, interval and one-shot recording. A time/date stamp function makes it ideal for use in law enforcement environments.

The HPX170 is equipped with an HD/SD-SDI output standard for live feed productions as well as for editing and monitoring. It also has IEEE 1394 and USB 2.0 interfaces for fast P2 content transfer into NLE systems, and offers a composite output, component output (mini D-terminal) and a time-code setting via IEEE 1394. The camera also features a built-in stereo microphone and two-channel XLR audio input terminals supporting 48V phantom power supply with a selectable mic/line; and manual audio level volume (two-channel). Other convenient operational features include clip preview on the camera’s 3.5” color LCD monitor; instant recording startup, scene files, assignable user buttons, focus assist and a camera remote function.

The AG-HPX170 will be available in fall 2008. It will be covered by Panasonic’s five-year limited P2 HD warranty*.
 
I'm down. I for one am pleased with Panasonic's announcements at NAB, including the HMC150.

Can't wait for the first footages to show up.

Now we wait for Scarlet announcement.
 
yeah, saw that. Not to complain, but there were two things I've grown to REALLY want: 2/3 in chips and at least 120 FPS...guess I am in the minority. Even the HPX only does 60.

But we still do SOOOO much on tape, I'm wondering if this will be the cam for low end gig shooting. I'm looking at the HMC150 for that, I think...

can anyone point me to even a basic understanding of why 120FPS is that much harder than 60? Technically, I mean? Is there a limit to the chips or recording, etc.?
 
I think it's simply the processing power needed to get 120fps. The RED ONE can't even shoot 120fps to CF Cards and those things are blazing fast.
 
The HPX170 is exactly the cam I have been waiting for. Proven P2 technology, easy intregration with Adobe CS3. Lightweight for backpacking. Only minus is the 13x lens but that wide should come in handy.
 
The HPX170 sounds nice, but I was hoping Panasonic would of offered an HVX200 replacement with 1/2" CCDs. The HD-SDI out is a great addition.
 
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