bgundu
Veteran
I would say all external recorders that can record ProRes will most likely record up to HQ (220mbps). Of course the higher the better, but lets look at the source, Af100 which spits out 8 bit 4:2:0 and it's being recorded into 4:2:2 10bit space. This buys you some elbow room in color correction to push image around more with less degradation. If I was recording RED footage I would most likely go HQ level because you're begining with a much more detailed image with more fidelity. BTW, expect a little more grain (even noise) when recording off the SDI/HDMI because you are bypassing the AVCHD compression. Not a bad thing, its just a more honest representation of the image.
Check out this link from Larry Jordan on the matter. http://www.larryjordan.biz/picking-the-right-version-of-prores/
Check out this link from Larry Jordan on the matter. http://www.larryjordan.biz/picking-the-right-version-of-prores/