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Anyone have a favorite picture style to match to the Sony PMW-F3?
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Ok, so i improvised a color profile for the f3, and it looks closer than other picture styles. Will have to work on it, but figure i can offer it as an option out there. I had hoped to use Prolost neutral, and if that didn't work i would use flaat or other well known picture style but after a quick A/B on set we went with my custom one. Shows some promise. Will up date soon. Some of the footage will air on TV.Anyone have a favorite picture style to match to the Sony PMW-F3?
I will try and get it to you.Is it already done? Would love to try it out.
Someone mentioned earlier he's figured out how to raise th black point in PSE (like Cinestyle) but his post is now deleted, anybody knows how it's done or if it's possible?
That would be great if the user had a more powerful color customization tool to create picture styles. Maybe on the next version.Yes James that's the post I was reffering to. I've been trying to emulate the Cinestyle gamma curve because I really like how flat it is on the 5DIII. What I am trying to achieve is the Cinestyle gamma but with the Portrait picture style colour response not the greenish Neutral. People look much better in Portrait but I lose the cinestyle Log curve that intercuts beautifully with other log worflows, and if I go Cinestyle, it gives people that green tint neutral gives compared to Portrait. I came really close to that cinestyle Log gamma but the raised black point to 8IRE is something that seems to be exclusive for Technicolor's engineers for some reason. I would really like a Cinestyle PS but based on Portrait, that would be ideal for me.
I agree. The PSE is already one of the most flexible color profile design options available, and if more options where added, it would become a selling point for Canon.I think the picture style editor could be a very powerful tool for Canon future. If they just give it more features and finer control over all image parameters then we would be able to replicate Sony/Panasonic/Samsung/Alexa colour science, basically it would mean being able to adjust the camera's colour science. It would also be great if we could import LUTs from Resolve to the PSE.
Seems like an easy implementation (and they already have the basic idea) but would give Canon a huge advantage.
