Anders Holck said:I was considering buying the US version as well, but I came to the conclusion that it would be too much of a hassle. I regulary do some music promos, and It would be great to be able to do MOS at high speed at 60 fps. But then I would need to shoot the sync, against a 4% timestretched version, and then reconform 24@25 in fcp to match it to the 100% version.
Too bad we didn't get 60p MOS in the Euro version....
(I'm still hoping that some bloke of a hacker can modify the firmware, like it happened to the Canon 300D. He actually enabled a lot of features (ISO3200, FEC, mirror lockup, servo focus) and changed the button configurations. But first we would need to get some tools to download and upload the firmware, and compare the binaries)
If there's a hacker that would do this he would have my full support
Anyway, Anders, what do you mean by shooting the sync against a 4% timestreched version? Wouldn't just a normal conform do the trick? I undestand MTV editing a bit, since I'm constantly working on them, and I know how important the editing vs the sound is in this scenario, but would just a 4% speed up of audio put everything in sync? Like do all the editing in FCP at 24fps, export a 24fps qt, conform in Cinematools to 25fps. import back to FCP and in the timeline speed up the original 24fps audio to 4%?