Michael Carter
Veteran
Shot a commercial yesterday using the Rebel - 550d, with an Adorama Nikon adapter.
Holy crap. Gorgeous. The D90 sure is a nice still camera though...
Shot this scene with an old Series-E 100mm manual lens, probably around F4.
I used the following glass:
Series E manual 28mm 2.8;
Modern AF 50 1.8;
Modern AF 85mm 1.8;
90's era ED 80-200 2.8 AF (Schweet!!!)
I had some wider glass with me but never used it.
If you go Nikon-glass-on-Canon, you really have to sorta practice with that adapter - get second nature with which dots line up where. The thing was pretty solid, just a little, ummm - "persnickity" my later father would have said. Having an adapter for each lens might be wise - of course you'd likely need Canon rear caps, too.
I gotta say, I've shot fashion & commercial with these same lenses for ages (and small-sensor stills for 4 or 5 years, too), and reaching into my bag knowing the specific look I wanted from glass I know back & forth - it was really just cool as hell.
Here's a grab - natural window light & a 650 open face (you can see the blue gel in this frame, yeah I moved it later).
Here's a link if the DVX thing doesn't work:
http://mcarterphoto.com/MVI_0146.jpg
Holy crap. Gorgeous. The D90 sure is a nice still camera though...
Shot this scene with an old Series-E 100mm manual lens, probably around F4.
I used the following glass:
Series E manual 28mm 2.8;
Modern AF 50 1.8;
Modern AF 85mm 1.8;
90's era ED 80-200 2.8 AF (Schweet!!!)
I had some wider glass with me but never used it.
If you go Nikon-glass-on-Canon, you really have to sorta practice with that adapter - get second nature with which dots line up where. The thing was pretty solid, just a little, ummm - "persnickity" my later father would have said. Having an adapter for each lens might be wise - of course you'd likely need Canon rear caps, too.
I gotta say, I've shot fashion & commercial with these same lenses for ages (and small-sensor stills for 4 or 5 years, too), and reaching into my bag knowing the specific look I wanted from glass I know back & forth - it was really just cool as hell.
Here's a grab - natural window light & a 650 open face (you can see the blue gel in this frame, yeah I moved it later).
Here's a link if the DVX thing doesn't work:
http://mcarterphoto.com/MVI_0146.jpg
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