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I'm possibly one of the few people that is depressed by the looming shadow of 4k-everything (maybe it is because I was working in broadcast through the whole digital conversion apocalypse). I think that almost anyone rational has to admit that no one needs (or will be able to see the difference in) 4k television, but this is evidently the price we are going to pay to save the Japanese electronics industry. The funny thing is that this is the same line of reasoning I heard from several Sony reps back when we were buying $90K HDcams, how HD was going to save the Japanese broadcast industry.
I was thinking the same exact thing, I always liked the look of a high quality dof adapter, As long as the thing has a decent low light ability, it could be fun to try it out and see what it looks like.I wonder what this would be like with Brevis or RedRock micro ?
:happy:
I'm sure there will be compressed codecs that take up significantly less space but will be very CPU/GPU intensive to work with (just like HDV was back in '04/'05). At least moving from HD to 4K will be more straight forward than the move from SD to HD which included a move from analog to digital, a new aspect ratio and new frame rates.I guess an expensive computer upgrade is in the cards for me in another year, maybe two years at the most once the 4k push begins. Hopefully there will at least be some efficient compressed 4k formats and codecs that don't take up a gajillion terabytes per project. I doubt all of us are going to need 4k RAW for everything we shoot.
In a while the choice for 5 to 7 thousand dollar cameras will be - small chip 4K with less DR, less control over dof, less low light sensitivity, and who knows what codec, or a large sensor 1080 camera with benefits in all areas other than resolution. Much rather have the latter.
I'm not convinced. I can see Sony releasing a 4K NEX-VGxx camera. Much of the VG30's problem is the aliasing due to an OLPF optimized for still acquisition. There shouldn't be as much of a problem at 4K.In a while the choice for 5 to 7 thousand dollar cameras will be - small chip 4K with less DR, less control over dof, less low light sensitivity, and who knows what codec, or a large sensor 1080 camera with benefits in all areas other than resolution. Much rather have the latter.
I'm not convinced. I can see Sony releasing a 4K NEX-VGxx camera. Much of the VG30's problem is the aliasing due to an OLPF optimized for still acquisition. There shouldn't be as much of a problem at 4K.
I'm not convinced. I can see Sony releasing a 4K NEX-VGxx camera. Much of the VG30's problem is the aliasing due to an OLPF optimized for still acquisition. There shouldn't be as much of a problem at 4K.