remsyatassi
Well-known member
That can be true for some camera operators.
Other people invest in a camera that suits their skill set and then offer their services. It's fair to assume that in this case, the camera comes with the package and camera choice by owner/operator might be a factor.
And this will be dictated by the types of jobs you do for the most part. Owner/Operators (of which I am one) own the cameras that they use the most. In my case the C100 is a good fit because I do a lot of corporate and doc type of stuff. I like the look of a large sensor and am willing to work a bit harder to accommodate when it isn't strictly necessary.
But when I shoot bigger work I don't push my camera on the production - even if I did they wouldn't have it. Need slo-mo? 4K? Bigger crews? I usually reach for a RED in those scenarios but other people might go for an Alexa. Broadcast? Then they probably want a C300.
For jobs where my camera ownership is a factor it usually is more than enough. For jobs where they want something specific, the client or project pretty much sets the terms.