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According to the RED leader November 3 is going to be the biggest day in RED history. I learned a new acronym over at RED user today: POPP or "personal ownership price point" What would Scarlet have to bring to the table at your POPP to abandon your beloved AF100?

This is a precision Leitax adapter that screws into the original Leica R lens barrel via the original mount taps and lets you use the Leica R lens on a Canon EF camera. No more wobbles or flex, this mount is bomb proof. This was used lightly on a Leica Elmarit R 90 for about 1 month. This is the...

I mean LONG. What is your preference for day/available light 300mm and over? Why? Rentals are not generally an option for me, and yes I really need something this long.

Does anyone know of a wide-angle matte-box or filter holder that will take 4X4s and not vignette on an 11mm focal length? I really need to use ND grads and the shot needs to be wide as possible.

I've done a lot of aerial shooting over the years, generally with 16mm or full size camcorders off helicopter mounts. I need to shoot some stuff this summer out of a fixed wing aircraft, super-cub or 185, in mountainous terrain. I've done this before with various video cameras and the success...

Seems really hard to find the Tokina 11-16mm in eos mount, B&H says its unavailable and everyone else I've found that has it wants substantially more money for it. Is this earthquake related or is it just in high demand?

Has anyone tried D7000 material direct into Premiere Pro CS5? Anyone willing to email me a file sample so I can try it on my PP CS5 system?