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I'm about to shoot a doc and I've finally decided that I will shoot anamorphic squeeze, but my question is this: do I use the default setting F5 and change the scene file to "thin" or do I just shoot in F6? Now I know the pulldown is different but I'm stuck using 1.0 (7.0) PP because of the 24p...

I've had a DVX and later an "A" for two years now and I just noticed an OIS shift when zoomed in. I have a pretty steady hand, and maybe I just never noticed it before, but I swear it seems to be overcompensating to a fault. (shifting back and forth) I understand how the OIS works and I know...

I recently wrapped on a television show that was shooting in 30P with a 1/60 shutter and It looked great. Ran a few tests, and maybe I'm crazy but I think it looked great. It had all the filmlook of 24P, but, of course, slightly smoother motion. The colors seemed richer -- whereas 24P feels like...

I've been looking forward to it, but now it doesn't seem to matter. I don't know why anyone that has a DVX would even consider an XL-2 with the pro version of the FX-1 coming. It may have 24P and if it doesn't then I'm confident that Panasonic will step to the plate with their first HD prosumer...

If I shoot with the F6 default (24P advanced) and cut it on PPRO 7.0 (non-native 24p system) in squeeze mode will the advanced pull down stop me from using this workflow and what will the advantages be over the F5 default with the thick changed to thin? Thanks.