Here is a video demo featuring footage that was mostly shot with the F3 using Zeiss CP's.
https://www.youtube.com/watch?v=a3OZzHILI3U
http://www.kmotionmedia.com/
Here is a recent TV spot I did with the F3. Shot using S-Log to the PIX 240. Zeiss Compact Prime lenses were used.
https://www.youtube.com/watch?v=CqmRU9Tbfug&list=UU_-TQSaioWGkgT4JX8L-Qpg&index=2
http://www.kmotionmedia.com/
So is a firmware upgrade available to get 10 bit out of the AF100 or is that only available on the AF100a? If so where can I find the upgrade and what is the cost for the upgrade?
Here are a couple recent TV spots I did with the F3. Shot using S-Log to the PIX 240. Zeiss Compact Prime lenses were used.
https://vimeo.com/61659372
https://vimeo.com/61662169
Quick question so that I don't have to do a test. If I shoot S-Log out to an external recorder can I record straight non S-Log to the SxS card? I kow I can record a LUT to the SxS, but I never tried to record non S-Log to the SxS while recording S-Log out.
Here is some footage showing footage shot in low light that has had heavy SFX applied to it. This was shot with a Zeiss CP lens using S-Log and recorded 10bit to a PIX240. The FX were done in After Effects. The YouTube compression isn't as good as the link showing the process...
Here is another spot shot with the F3. Shot using Zeiss lens at 1080/30p. The overcrank was shot at 720 60/30p. All was captured at 10 bit to the PIX240. Blue screen was used due to the amount of green clothing for obvious reasons.
http://www.youtube.com/watch?v=T3PzDHib22s&feature=g-all
Here is a spot I shot using the F3 recording to the PIX240 shot on blue screen rather than green due to the product for the Green Bay Packers.
http://www.youtube.com/watch?v=ZM-Bqc3VWX8&feature=g-all-u
Here is a spot I recently shot in New York City using S-Log to the PIX240. The spot was shot using Zeiss Compact Prime Lens at 1080/30p. The b-roll was over cranked and shot at 720p 30/60p.
http://www.youtube.com/watch?v=wAFVp0tMDOk&feature=g-all-u
So what tripod/head are people using with their F3? I'm looking to upgrade and I'm curious what you are using. I want something that will handle a fully geared up F3. I'm leaning toward a Sachtler 18 S1 and the Speed Lock CF Tripod. Mid or floor spreader?
Is anyone using a Director's Viewfinder? If so which one? Now that I am shooting and changing lens I can see how one would be useful to figure out which lens to pull out both on location and during scouts. Also which camera setting would you use for an F3?
Here's a spot I recently shot with the F3. using Zeiss CP's. Shot using S-Log to the SxS and to a PIX240 in 10bit.
http://www.youtube.com/watch?v=IfAOs8Rga-w&feature=g-all-u
Here is a spot we shot using the F3. Shot using both onboard SxS and to a PIX240. Zeiss C.P's were used. The interview was shot at 1080/30p. The b-roll was all shot at 720p 30/60 overcrank.
http://youtu.be/MlUFkc-qTSE
This spot was shot on the F3. Interview was shot at 1080/30p the b-roll was shot at 720p 30p over cranked to 60p. It was recorded to the onboard SxS card and to the PIX240. Shot using Zeiss compact primes.
http://youtu.be/yJjMcydYHHA
This spot was shot on the F3. Interview was shot at 1080/30p the b-roll was shot at 720p 30p over cranked to 60p. It was recorded to the onboard SxS card and to the PIX240. Shot using Zeiss compact primes.
http://youtu.be/yJjMcydYHHA
Here is the latest in the series of spots we are doing shot on the Sony F3. We used the internal SxS card for capture. Interview was shot at 1080/30p the b-roll was at 720/30p overcranked at 60. Sot with the Zeiss Compact Prime lens set...
Here are a couple spots we just completed using the F3. Shot using the SxS card at 1080 30p. The overcranked footage was shot at 720 30/60p. Used Zeiss Compact Primes lens(s).
http://www.youtube.com/user/kmotionmedia#p/a/u/0/N1C9w-627wI
http://www.youtube.com/user/kmotionmedia#p/a/u/0/kEc8xHsXDzM