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May you already noticed that vimeo is now capable of 4K/UHD streaming. I uploaded some 4K footage to vimeo to see the results (MP4 120Mbit/s CBR). Specially the in between format 1440p is really interesting if you stream footage on a HD or 2.5K monitor. The variable bitrates on vimeo are: HD...

http://9to5mac.com/2014/05/21/os-x-10-9-3-breaking-mac-pro-graphics-card-compatibility-with-critical-pro-apps/ GPU Rendering on Premiere CC and DaVinci Resolve will NOT work after the update, the only solution is to go back to 10.9.2!

After a car-interior shooting last friday with the new firmware I took the camerasystem to shot 4K RAW in a real life environment in my home city: https://vimeo.com/89854882 I uploaded the 80mbits/s 4K h264 on vimeo (original file is 3.0gb) the HD looks great - but the native 4K is mind...

https://vimeo.com/86794107 Here is a random shooting I did yesterday - recorded on the Odyssey 7Q 240fps only. Each shot was tried to ettr and heavy graded in DaVinci Resolve 10 (DNG > BMD Film > linear2slog2), but no noise reduction was used. I think it shows how great DR the camera delivers...

I did a small test to compare the internal AVCHD vs the Odyssey 7Q 2K DNG and got some impressive results. The O7Q not only keeps the same 2K DNG sharpness from 24, 120 and 240fps it also shows a much higher detail compared to the "digital" looking internal AVCHD (no sharpness applied). Here...

Hi guys, I did a quick camera comparison with the 5D Mark III (H.264 & RAW), FS700 (Blackmagic Hyperdeck 2), Blackmagic Cinema Camera (ProRes & 2.5K RAW) and the Blackmagic Pocket Cinema Camera - all with the same lens (24-70 II 1:2.8). I'm looking forward how far CD will improve the image...

I did a quick comparison between the internal AVCHD and an external Recorder Solution (in my case the Hyperdeck Shuttle2) shooting with SLog2. You can clearly see the difference - as some of you mentioned its because the 4:2:0 and the strong 24mbit/s compression issue - Applying the...