I haven't posted here in a while. But I have been lurking and keeping an eye on everyone.
For 2 years now my company Vision Bridge Media, LLC has been involved with a local charity here in Michigan that helps people who find themselves in a situation where they may not be able to pay their...
I'm a little hesitant to post this because it is expensive. My last post was met with such disdain because the viewfinder was deemed too expensive by fellow forum readers. To save time the lens is listing at $38,0000.00 so if that's too much don't bother clicking the link...
I shot a couple of charts with the 5D MKIII just for my own curiosity. The particulars of the set up are in the description. I believe it holds up very well even being squished to YouTube.
http://www.youtube.com/watch?v=Cxlc60KCSPQ&feature=youtube_gdata_player
A reasonable match of all of the cameras can be achieved. My approach would be to setup the 7D and 5D to the same setting Sharpness 0 Contrast 0 Saturation -3 Colortone neutral or -1. Dial in your color temp. Then proceed to match the other cameras that have more handles to the Canons. The...
Although I appreciate all of the jobs I get to be a part of every once in awhile one comes along that stands out for one reason or another. This was one of those jobs for me.
We used two cameras a FS-100 and a F3. Lens on the FS-100 was the Zeiss/Sony 24-70 and a Zeiss zf100 the F3 was wearing...
We shot it at the Joe.
I just wanted to contribute something to the original post that the smooth slow record is a very cool feature and can be used pretty effectively if utilized correctly.
Here are a couple of lighting setups.
For my FS-100 I use the Zeiss/Sony Alpha mount 24-70 f2.8. This lens pretty much lives on the camera for just about everything. If a longer lens is needed I have a Zeiss ZF 85mm and 100mm macro as well as the kit lens 16-200. My Fs-100 is the little sister to my F3. So I wanted to put together a...
I know there is a group buy for the Prolock Nikon to F3 adapter here on the forum.
I just want to let everyone know that if they decide to go with an MTF instead they will not be disappointed.
First off the service I received from MTF was nothing short of amazing.
There was an issue with the...
This commercial was shot on my F3.
The DP selected a set of Ultra Primes for the lenses.
The camera was set to my custom picture profile.
We recorded to my Cinedeck Extreme 10bit 422 to the Cineform Codec.
Post was done on a machine loaded up with Adobe Premier.
Enjoy...