Elton
Veteran
It's amazing what Final Cut and Compressor can do with 1080i, particularly if you can capture the live 4:2:2 SDI direct to ProRes. This shot was taken in my backyard, running a SDI cable to my Kona card in my G5.
I used Compressor to deinterlace and create 60p footage, and then ran the footage through a FCP CC filter just for kicks.
I used Compressor to deinterlace and create 60p footage, and then ran the footage through a FCP CC filter just for kicks.
Last edited: