GH2 World Premiere !!! SLR Magic HyperPrime CINE T0.95 / 50mm The Tests !!!!!

seb33

Well-known member
World Premiere !!! SLR Magic HyperPrime CINE T0.95 / 50mm The Tests !!!!!




I just have the opportunity of testing a prototype SLR Magic HyperPrime CINE T0.95 / 50mm lens on my GH2 (.
This is an incredible lens, very sharp, even at full aperture. It's a T0.95 very fast lens, that is an equivalence of f/0.92 !!!

GH2 24P
Nostalgic mode
Always wide open at 0.95
LCW ND Variable filter
1/50 shutter speed
quite always 160 asa
No color correction


PRESS RELEASE

NEW: THE SLR Magic HyperPrime CINE 50mm T0.95
SLR Magic expands its M mount lineup with a new normal focal length lens

Hong Kong, China (January 1, 2012) - SLR Magic opens up the M mount lens lineup with the new SLR Magic HyperPrime CINE 50mm T0.95 ultra fast normal focal length lens. The world's fastest interchangeable camera lens with an image circle beyond full frame coverage in its focal length, the SLR Magic HyperPrime CINE 50mm T0.95 concept lens will be publicly available for experience testing in September 2012 at Photokina in Cologne, Germany.

The field of view of this new HyperPrime Lens corresponds to a 50mm lens in 35mm format. It is optimized to be shot wide open. This ultra fast normal focal length prime lens opens up many new creative composition opportunities, particularly in the fields of available light, in portrait, and street cinematography. Built with modern non aspherical lens technology, the lens excels at defocusing busy backgrounds at T0.95. A minimum focus distance of 0.70m allows for artistic bokeh effect. A fast maximum aperture of T0.95 makes the SLR Magic HyperPrime CINE 50mm T0.95 ideal for available-light photography.

Our highest priority in the development of all HyperPrime lenses is to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic HyperPrime CINE 50mm T0.95 is solid and reliable.

The SLR Magic HyperPrime CINE 50mm T0.95, a concept lens, will be available from authorized SLR Magic dealers by the end of September 2012.

Technical Data

SLR Magic HyperPrime CINE 50mm T0.95

Lens Type: Fast normal lens with seven Tantalum glass elements to ensure superior cinematic performance.

Compatible Cameras: All RangeFinder M mount, LM mount for cinematography, E-mount, and micro four thirds cameras
Optical Design: 12 elements in 7 groups
Distance Settings:
Distance range: 0.70m to ∞, combined scale meter/feet
Aperture: Manually controlled diaphragm,
12 aperture blades (circular), Lowest value 16
Bayonet: M-mount, E-mount, micro four thirds
Filter Mount: 62mm; filter mount does not rotate.
Surface Finish: Black anodized
Dimensions:
Length to bayonet mount: approx. 95mm (approx. 3.74in) without hood
approx. 110mm (approx. 4.33in) with retractable hood
Largest diameter: approx. 73mm (approx. 2.87in)
Weight: approx. 975g (approx. 34.39oz)
Andrew Chan
Product Manager
 
Was the Fringe/CA apparent at all apertures? above 4? Any tests on that?

The bloom wide open is kind of saddening... and the bokeh halation is very strange...

Bit of a miss for me. But all just trade-offs to get to an 0.95
 
Looks great. Quick dumb question though-
I have a nikon 50mm on fotodiox adapter. What is that equal to? Its not 50 right?
 
Merci Seb.
Alors avec un canon fd 28mm = 56mm?
très sympas tes films avec t'as fille. Je fais la même chose avec les miens!
Bonne année.
JP
 
Merci Seb.
Alors avec un canon fd 28mm = 56mm?
très sympas tes films avec t'as fille. Je fais la même chose avec les miens!
Bonne année.
JP
Merci JP. Oui le coef multiplicateur est de 2X avec le GH2 et systèmes micro 4/3, donc un 28 donne un 56, tout eb sachant cependant que le "rendu" sera plus celui d'un 28 qu'un 56 (au niveau optique).
Tu as un site qq part ?
 
ouais - je tourne, coupe, produce etc pour la télé a NYC.[chaine histoire etc]
www.hussarfilms.com
et pour réalisateur ---->http://vimeo.com/hussarfilms
justement j'ai acheter le GH2 parce que j'en ai mare de louer a chaque fois!
et toi? t'as un site pro?
Non je ne communique que par Vimeo. J'ai parcouru le tient, "an american abroad" plutôt drôle ! :) Je viens à NYC courant 2012 pour tourner des scènes pour le documentaire que je suis en train de réaliser. On pourra peut être s'y voir
 
A 50 is a 50 is a 50, but various sensor sizes will catch various percentages of the image circle they project. A smaller sensor will catch less of the circle, thus a tighter frame.
 
Non je ne communique que par Vimeo. J'ai parcouru le tient, "an american abroad" plutôt drôle ! :) Je viens à NYC courant 2012 pour tourner des scènes pour le documentaire que je suis en train de réaliser. On pourra peut être s'y voir

Ok cool.
Je peu même vous aidez si tu veux!
Envois moi un email quand tu sais ce que tu fais.
 
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