Why take away sharpening?

tackyattack

Active member
When using a flat picture style why would you take away sharpening in-camera if you are just going to add it back in when in post production?
 
When using a flat picture style why would you take away sharpening in-camera if you are just going to add it back in when in post production?

If you use it in-camera, you're stuck with it for good. If you add it in post, you have complete control.

Which isn't to say that you should or shouldn't do anything; it's just a reason why.
 
I usually add some sharpening in camera (I set it 2 notches above the minimum)
I believe this creates less IQ issues than adding it in post (in that case, noise and, specially, codec artifacts, get sharpened too)
as others said, this makes aliasing/moire a bit more of an issue (I lower it down if I feel there can be problems), and reduces options in post
 
When using a flat picture style why would you take away sharpening in-camera if you are just going to add it back in when in post production?

Don't think of it as "taking it away." Think of it as "not adding it." You can either have some sharpening or none, but nothing you do in-camera will make the image any softer than what the sensor/processor is capable of.

By "not adding it" in the camera, you are preserving the detail exactly as it comes from the sensor - so you can choose to do whatever you want with it in post.

Of course, there are some situations where this would be counter-productive. For example, if you're aiming for the fastest possible turn-around, it would be better to add some sharpening in camera because adding it in post can significantly increase render times.
 
Back
Top