J.R. Hudson
Spirit Animal
I didnt say all criticism is undesired. There are multitudes of comments I've read in many "first wedding video" threads by people such as yourself saying things such as
"Dude if I ever did weddings I'd kill myself" or
"Honestly this sucks. I hated it."
So whatever you're trying to say with that idealistic statement above, I think the majority of first time videographers would be better off not looking for help here (beyond searching) . The majority of dvxusers are discouraging toward commercial ventures such as wedding videography, and those pride-filled comments make new guys second guess themselves.
"Well if he second guesses himself he was never serious to begin with. I never second guess myself. I'm the bomb."
These are the kinds of critiques that are inevitable.
It's just an opinion. Don't fret over this site not being geared towards that profession and especially don't hold it against anyone if it isn't their bag.
As far as quoting me ? I stick to my opinions. I always am honest and never sugarcoat. Sue me. :violin:
It's just one mans opinion. Nothing more, nothing less.
I have my own little wedding videography business and shoot shorts as well. The wedding business isn't exactly a dream job, but the longer I do it, the more I realize how wonderful it is as a training ground to work with the equipment in such a tense environment. It forces you to constantly make decisions on the fly, and you learn what works, what doesn't work, and what you are good at. It is a crash course in audio, composition, editing, lighting, and the list can go on and on.
It's true that most weddings are awful and unoriginal, but that doesn't mean that you have to follow. Your vision and enthusiasm dictate how impressive and powerful photojournalistic work can be.
I remember reading about how Scorcese said he benefitted as a filmmaker by shooting The Last Waltz, which in essence, was just filming an event.
Lastly, I have to mention how important it is to learn how to size up a situation and critical think on how to shoot it in the shortest amount of time. As time goes on, you learn how to align yourself with finding a story in the chaos. They are there, but you have to develop some serious observational skills. This isn't so different than dealing with a film set.
I used to be secretly ashamed as running a one-man business that got most of my work in weddings. As time goes on, though, I feel lucky that I have had the opportunity to be forced to constantly be sharpening my chops without letting them atrophy.
The quote, "Life is what happens when you are busy making other plans" always seems to resurface when I get frustrated. As a videographer, I am a lucky dude cause my work is constantly improving. Sure, it isn't a feature film, but I still have an audience, and they will watch it for the rest of their life if its really good.
AND you make your own freakin schedule! Nobody to answer to, and you get the winters' off to shoot a film every year.
Well put. If it works for you, fabulous.
=
My sentiments are with any 'film / video / shooting gig' outside of the ultimate goal. It is not a stab at the niche itself and especially not towards any person.
I recently did some BTS for a show; Yawn is about what I got out of it.