The Panasonic BT-H1390Y is the lowest-cost SMPTE-C monitor I know of. I've got one, it's very very nice, 16:9 and 4:3, PAL and NTSC, underscan, blue check, component/composite/s-video, everything you'd want in a monitor, and B&H and EVS sell 'em new at around $1150 or so.
Not portable though -- even though it's only a 13" tube, this thing weighs like 60 pounds...
[quote author=Barry_Green link=board=Links;num=1089947626;start=30#43 date=07/20/04 at 20:37:35]The Panasonic BT-H1390Y is the lowest-cost SMPTE-C monitor I know of. I've got one, it's very very nice, 16:9 and 4:3, PAL and NTSC, underscan, blue check, component/composite/s-video, everything you'd want in a monitor, and B&H and EVS sell 'em new at around $1150 or so.
Not portable though -- even though it's only a 13" tube, this thing weighs like 60 pounds...[/quote]
What if I want all of that stuff, but with the p-22 phosphors? What could I expect to pay?
Any decent monitors in the range of say, 3-500?
(damn, and just when I thought I had all of my accy's purchased for a while, now I want a studio reference monitor?? Whats next, Dual G5 to replace my Powerbook?)
And sorry to be working this conversation off of the field monitor topic, but who says I wouldnt lug it with me someplace one day
The JVC monitors are like that. I don't know how they are for reliability, etc., but they have some fairly inexpensive high-res CRT's that have good features but P-22. Also the lower-end Sony monitors (like the L1) are P-22. The L1 doesn't have blue check or component video, but it does most of the rest for under $500.
I'm waiting with baited breath to hear more about Jarred's LCD... My friend, who I co own the 100a with (and used to own the 100 with- sharing the cam makes it so much easielr on the wallet to upgrade) is a steadi cam operrator. He bought the 7" Panasonic for his steadi cam rig - so soon I hope to try using it with the DVX (especally for use in squeeze mode to get the correct aspect ratio), but if Jarred's LCD has 2x the resolution- that could be a real winner.
On another note- when I had my TRV-900, I found a setting that looked somewhat similar to how things looked on my sony PVM-20M4U, and once I was "eye" calibrated I could judge with the Camera's LCD how things- especuially black levels were going to look back in the edit suite. I got pretty good at it. Plus I had a hoodman that I made a custom extension for.- that really helped.
I have to try and do the same with the DVX- just get a (non glaring daylight) setting that corresponds somewhat to what I see on my PVM-20L5 monitor and make mental notes on how to judge black level, contrast, etc. That way you know what will read in the blacks and what won't- I find that is half the battle.
I think the TRV's LCD was better than the DVX- at least it seemed like it was better than my very early DVX100's LCD- I think the 100A looks better- but never compared them side by side.
If you want to see a great monitor at a reasonable price (though still $$$)
see the Sony 20L5 or 14L5. The SMPTE C phosphors look amazing and espeacially with High Def material- that monitor displays HD via analog component video input without the $3500 HDSDI sony wants to sell you!!!!
There are used 20"'s being sold at a decent price on ebay right now- it's the model sold before the "/1" update which simply added 1080 24psf framrate support. If you can live without that go for it- I just bought a second one for my home edit suite. With the 16:9 bezel it looks like a $10,000 HD monitor and I do HD sessions with it every day.
ok, i'd like to pick up one of these monitors asap since i'm selling off my delvcam 4:3 monitor. any suggestions where to pick up one of these? much appreciation.