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60 is better, according to formula 24*2/80%
If you're using the variable frame rate for 80% slow-mo, use 1/60th and that will give you 1080/30p.
If you're wanting to go slower than that and are using 1080/60i and intend to de-interlace it in post for a simulated 60fps, use 1/120th.
If you're using 720/60p as 60fps slow-mo, use 1/120.
If you're using the variable frame rate for 80% slow-mo, use 1/60th and that will give you 1080/30p.
If you're wanting to go slower than that and are using 1080/60i and intend to de-interlace it in post for a simulated 60fps, use 1/120th.
If you're using 720/60p as 60fps slow-mo, use 1/120.
Smooth picture-perfect frame-accurate slow-mo.What does that achieve that using a "slow down function" in an NLE doesn't?
Ah, he figured you were using a GH2. It has those features.
For slow-mo? Don't. Switch to 720/60p for slow-mo, and use 1/120th.
I think the article's picture of a vintage Bolex 16mm film camera is a good indication of the dated perspective of its information. Actually, one of the statements he makes is incorrect. It was not "mechanically impossible" for film camera shutters to exceed 180-degrees and some of them actually did so. To my eyes, shutter speeds between 1/40 - 1/60 second produce a natural appearance of motion blur, regardless of frame rate. Since the Bolex ran at 24fps, its 180-degree shutter produced a 1/48 second shutter speed which looks quite pleasing.Ok guys, read the following article about shutter angle...