I've been shooting a bunch with the TrueCine and TrueLog custom profiles, and they have worked great outdoors and are amazing to work wit. However if I'm indoors, in true tungstan light, the skin tones almost always have a green hue to them. Fluorescent practicals obviously push the green even further.
When I'm editing my own footage its not a huge deal, but when handing off to the client right after shoot, I'd like the footage to not have that green tint. Here's a quick sample of a recent shot, recorded in TrueCine, ungraded. The only light in the room was a 500w Omni in a softbox

When I'm editing my own footage its not a huge deal, but when handing off to the client right after shoot, I'd like the footage to not have that green tint. Here's a quick sample of a recent shot, recorded in TrueCine, ungraded. The only light in the room was a 500w Omni in a softbox

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