You mean like Canon had 6 years ago? Yeah, that would be nice.
Reading all the tech info above.... not sure where to set ZEBRA to expose but not exceed the sensor? Blow outs? Where to set ZEBRA for VLOG?
Thanks for the frame grab, it's a good example of the pitfalls of sacrificing tonal range for the sake of increased dynamic range. The problem with the white cabinets is that the encoder has to apply the selected color temperature to a smooth monochromatic gradient, using 8-bit YUV components. It winds up dithering the gradient across the midpoint of the green-magenta axis, because it doesn't have deep enough hue granularity to render the gradient in pure tones and has no idea that the cabinet is "supposed to be white". This is also the cause of blotchy magenta casts in shadow areas - the encoder lacks the bit-depth needed to render subtle shades of near-gray gradients accurately enough to avoid color casts. The most natural-looking fix is to use secondaries in post to turn down the saturation in troublesome areas.Look at the cabinet. It's supposed to be cream coloured, not blotchy magenta and green.
Here's me not even trying to make this color blocking happen. Graded these to get them to match as close as possible for brightness and contrast.
First in V-log(0,0)--
Then CineV (-1,-5,-5,-3,0), Shadow+3, idynamic low--
Look at the window on the lower left.
V-log--
CineV--
As you can see, under the same normal circumstances, V-log creates this color blocking where other profiles do not. Also, I'm noting a slight green tint on Vlog footage, where my CineV settings color looks dead accurate. I used the stock daylight WB setting on both shots.
